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https://superindex.lbr.auckland.ac.nz/handle/123456789/487235
Full metadata record
DC Field | Value | Language |
---|---|---|
dc.creator | Hall, Ken | - |
dc.date | 2010 | - |
dc.date.accessioned | 2017-06-30T02:09:03Z | - |
dc.date.available | 2017-06-30T02:09:03Z | - |
dc.identifier.uri | http://superindex.lbr.auckland.ac.nz//handle/123456789/487235 | - |
dc.description | 11 b/w: including portrait of O'Reilly | - |
dc.description.abstract | This article documents the role of R. N. O'Reilly in developing and acquiring artworks for the Canterbury public library, where they could be loaned out to the public. | - |
dc.format | physical text | - |
dc.format.medium | Text | - |
dc.format.medium | Image | - |
dc.language | English | - |
dc.publisher | INZART/The University of Auckland Library=Te Tumu Herenga | - |
dc.rights | Copyright restrictions apply | - |
dc.title | A Progressive Champion: R. N. O'Reilly, Colin McCahon and the Canterbury Public Library Art Loan Collection | - |
dc.type | Profile | - |
prism.volume | 31 | - |
dc.identifier.inmagic | 182162 | - |
dc.subject.articletype | Journal | - |
dc.subject.artist | McCahon, Colin | - |
dc.subject.artist | O'Reilly, R. N. | - |
dc.subject.artist | Woollaston, Toss | - |
dc.subject.artist | Lusk, Doris | - |
dc.subject.artist | Henderson, Louise | - |
dc.subject.artist | Mrkusich, Milan | - |
dc.subject.artist | Weeks, John | - |
dc.subject.artwork | Still Life for the Play 'Professor Mamlock' (1939, Colin McCahon) | - |
dc.subject.artwork | Elepsie (1938, Colin McCahon) | - |
dc.subject.artwork | For R. Kennedy's landscape [Otago Peninsula] (1976, Caolin McCahon and R. N. O'Reilly) | - |
dc.subject.artwork | Painting for Children (1944, Colin McCahon [in collaboration with Anne McCahon]) | - |
dc.subject.artwork | Singing Women (1945-46, Colin McCahon) | - |
dc.subject.artwork | Birds Eye (1951, Henry Cliffe) | - |
dc.subject.artwork | Still Life (1945, John Weeks) | - |
dc.subject.artwork | Two White Chairs (c. 1956, Tosswill Woollaston) | - |
dc.subject.artwork | Crucifixion according to St Mark (1947, Colin McCahon) | - |
dc.subject.artwork | Dining room with Busari the cook, Ibadan, Nigeria (c. 1964-66, R. N. O'Reilly) | - |
dc.subject.getty | acquisition (collections management) | - |
dc.subject.getty | collection development | - |
dc.subject.getty | paintings (visual works) | - |
dc.subject.local | art and society | - |
dc.subject.local | art historians and writers | - |
dcterms.spatial.venue | Canterbury Public Library | - |
dcterms.spatial.venue | Christchurch Art Gallery | - |
dcterms.spatial.venue | Robert McDougall Art Gallery (Christchurch, N.Z.) | - |
prism.publicationname | Journal of New Zealand art history | - |
prism.pagerange | 52-72 | - |
dc.subject.exhibition | Ron O'Reilly : The collector's Eye (2009) | - |
Appears in Collections: | INZART: Inmagic collection (utf8) |
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