Please use this identifier to cite or link to this item: https://superindex.lbr.auckland.ac.nz/handle/123456789/488209
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DC FieldValueLanguage
dc.creatorKisler, Mary-
dc.date2011-
dc.date.accessioned2017-06-30T02:10:49Z-
dc.date.available2017-06-30T02:10:49Z-
dc.identifier.urihttp://superindex.lbr.auckland.ac.nz//handle/123456789/488209-
dc.description5 colour-
dc.description.abstract'Surrealism: The Poetry of Dreams' features both well-known names and lesser-known later artists who fell under the movement's spell.-
dc.formatphysical text-
dc.format.mediumText-
dc.format.mediumImage-
dc.languageEnglish-
dc.publisherINZART/The University of Auckland Library=Te Tumu Herenga-
dc.rightsCopyright restrictions apply-
dc.titleLeave the substance for the shadow-
dc.typeExhibition Description-
prism.volume229-
prism.number3716-
dc.subject.personKisler, Mary-
dc.description.notesMary Kisler visits the exhibition 'Surrealism: The Poetry of Dreams' touring the Gallery of Modern Art, Brisbane from the Musee National d'Art Moderne, Centre Pompidou, Paris.-
dc.identifier.inmagic183039-
dc.subject.articletypeJournal-
dc.subject.artworkSans titre [Onirique] (Untitled [Hallucination]) (1935, Dora Maar). Film still-
dc.subject.artworkUn Chien Andalou (An Andalusian Dog) (1929, Luis Brunuel and Salvador Dali). Film still-
dc.subject.artworkChambre 202, Hotel du Pavot (Room 202, Hotel du Pavot) (1970, Dorothea Tanning)-
dc.subject.artworkYeux de verre (Glass eyes) (1928, Herbert Bayer)-
dc.subject.artworkLoup-table (Wolf-table) (1939/1947, Victor Brauner)-
dc.subject.gettySurrealist-
prism.publicationnameListener (Wellington, N.Z.)-
prism.pagerange40-41-
prism.issuenameJuly-August-
Appears in Collections:INZART: Inmagic collection (utf8)

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