Please use this identifier to cite or link to this item: https://superindex.lbr.auckland.ac.nz/handle/123456789/491058
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DC FieldValueLanguage
dc.creatorJohnston, Melinda-
dc.date2011-
dc.date.accessioned2017-06-30T02:15:57Z-
dc.date.available2017-06-30T02:15:57Z-
dc.identifier.urihttp://superindex.lbr.auckland.ac.nz//handle/123456789/491058-
dc.description13 b/w including portrait: Boswell-
dc.formatphysical text-
dc.format.mediumText-
dc.format.mediumImage-
dc.languageEnglish-
dc.publisherINZART/The University of Auckland Library=Te Tumu Herenga-
dc.rightsCopyright restrictions apply-
dc.titleResisting the greater deception: social and political commentary in the prints of James Boswell-
dc.typeProfile-
prism.volume32-
dc.description.notesSad Pastures is also known as 'Wiltshire'.-
dc.identifier.inmagic185618-
dc.subject.articletypeJournal-
dc.subject.artistBoswell, James-
dc.subject.artworkYou gotta have blue blood (1934, James Boswell)-
dc.subject.artworkThe Lonely Heart (1934, James Boswell)-
dc.subject.artworkCommercial Pub (1938, James Boswell)-
dc.subject.artworkThe Dying Street (1938, James Boswell). Version 1.-
dc.subject.artworkDesirable Residences (1938, James Boswell)-
dc.subject.artworkWelcome to the Great Metropolis (1938, James Boswell)-
dc.subject.artworkSad Pastures (1938, James Boswell)-
dc.subject.artworkMerrie England (1938, James Boswell)-
dc.subject.artworkThe Great North Road - Approaching London (1939, James Boswell)-
dc.subject.artworkThe Theatre (1939, James Boswell)-
dc.subject.artworkBooks (1939, James Boswell)-
dc.subject.artworkThe Press (1939, James Boswell)-
dc.subject.gettyprints (visual works)-
dc.subject.gettyprintmaking-
dc.subject.gettypolitics-
dc.subject.gettydocumentation (activity)-
dc.subject.localart and society-
prism.publicationnameJournal of New Zealand art history-
prism.pagerange33-51-
Appears in Collections:INZART: Inmagic collection (utf8)

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