Please use this identifier to cite or link to this item:
https://superindex.lbr.auckland.ac.nz/handle/123456789/492203
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DC Field | Value | Language |
---|---|---|
dc.date | 2012 | - |
dc.date.accessioned | 2017-06-30T02:18:06Z | - |
dc.date.available | 2017-06-30T02:18:06Z | - |
dc.identifier.uri | http://superindex.lbr.auckland.ac.nz//handle/123456789/492203 | - |
dc.description | 1 colour | - |
dc.description.abstract | "Fiona Pardington's new series of portraits of goddess-women reference facial expressions used in ancient Maori song and dance." | - |
dc.format | physical text | - |
dc.format.medium | Text | - |
dc.format.medium | Image | - |
dc.language | English | - |
dc.publisher | INZART/The University of Auckland Library=Te Tumu Herenga | - |
dc.rights | Copyright restrictions apply | - |
dc.title | Fresh from the Ukraine | - |
dc.type | Exhibition Description | - |
prism.volume | 32 | - |
prism.number | 3 | - |
dc.description.notes | Article also discusses Fiona Pardington's participation in The First Kyiv International Bienniale, in Ukraine. | - |
dc.identifier.inmagic | 186671 | - |
dc.subject.articletype | Journal | - |
dc.subject.artist | Pardington, Fiona | - |
dc.subject.artwork | e Akura e Erewhon (2012, Fiona Pardington) | - |
dc.subject.getty | photography | - |
dc.subject.getty | biennials (exhibitions) | - |
dc.subject.local | Māori culture | - |
dc.subject.local | Māori in art | - |
dcterms.spatial.venue | Two Rooms (Auckland, N.Z.) | - |
prism.publicationname | Art news (Auckland, N.Z.) | - |
prism.pagerange | 38 | - |
dc.subject.exhibition | Erewhon: Left for Dead in The Field of Dreams (2012) | - |
prism.issuename | Spring | - |
Appears in Collections: | INZART: Inmagic collection (utf8) |
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