Please use this identifier to cite or link to this item: https://superindex.lbr.auckland.ac.nz/handle/123456789/493465
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DC FieldValueLanguage
dc.creatorKnox, Chris-
dc.date20 May 1989-
dc.date.accessioned2017-06-30T02:20:36Z-
dc.date.available2017-06-30T02:20:36Z-
dc.identifier.urihttp://superindex.lbr.auckland.ac.nz//handle/123456789/493465-
dc.description1 b&w-
dc.description.abstractKnow looks at whether each McCahon should be looked at on individual merits rather than just wholesale praise.-
dc.formatphysical text-
dc.format.mediumText-
dc.format.mediumImage-
dc.languageEnglish-
dc.publisherINZART/The University of Auckland Library=Te Tumu Herenga-
dc.rightsThis material is protected by copyright and has been copied for the educational purposes of the University under licence. You may not sell, alter or further reproduce or distribute any part of this coursepack/material to any other person. Where provided to you in electronic format, you may only print from it for your own private study and research. Failure to comply with the terms of this warning may expose you to legal action for copyright infringement and/or disciplinary action by the University.-
dc.source89_0809-
dc.titleAn industry in the making-
dc.description.notesArtwork discussed but not pictured entitled:-
dc.description.notesWaterfall ([n.d.] Colin McCahon)-
dc.description.notesGate ([n.d.], Colin McCahon)-
dc.description.notesAm I Sacred Boy (Eh) ([1976], Colin McCahon)-
dc.identifier.inmagic187753-
dc.subject.articletypeCutting-
dc.subject.artistMcCahon, Colin-
dc.subject.artworkN36 Victory Over Death 3 1989 oil on troubled waters ([1989], Chis Knox)-
dc.subject.gettypaintings (visual works)-
dc.subject.gettyart criticism-
prism.publicationnameListener (Wellington, N.Z.)-
prism.pagerange80-
dc.subject.exhibitionGates and Journeys (1989)-
Appears in Collections:INZART: Inmagic collection (utf8)

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