Please use this identifier to cite or link to this item:
https://superindex.lbr.auckland.ac.nz/handle/123456789/494871
Full metadata record
DC Field | Value | Language |
---|---|---|
dc.date | 2012-2013 | - |
dc.date.accessioned | 2017-06-30T02:23:14Z | - |
dc.date.available | 2017-06-30T02:23:14Z | - |
dc.identifier.uri | http://superindex.lbr.auckland.ac.nz//handle/123456789/494871 | - |
dc.description | 20 colour | - |
dc.format | physical text | - |
dc.format.medium | Text | - |
dc.format.medium | Image | - |
dc.language | English | - |
dc.publisher | INZART/The University of Auckland Library=Te Tumu Herenga | - |
dc.rights | Copyright restrictions apply | - |
dc.title | Select 2012 | - |
prism.number | 91 | - |
dc.subject.organisation | University of Canterbury. School of Fine Arts | - |
dc.description.notes | Catalogue for the exhibition 'Select 2012'. | - |
dc.description.notes | Includes catalogue text The Art Acquisition Committee (Lydia Baxendell, Jill Durney, Jeff Field, Barbara Garrie & Louise Palmer). | - |
dc.description.notes | Includes a short text about each artists work. | - |
dc.description.notes | Issue includes installation map and postcard. | - |
dc.description.notes | Note the variation of spelling of Kier / Keir Leslie. | - |
dc.identifier.inmagic | 189074 | - |
dc.subject.articletype | Journal | - |
dc.subject.artist | Bashford, Joshua | - |
dc.subject.artist | Bathgate, Emma J. | - |
dc.subject.artist | Batty, Hannah | - |
dc.subject.artist | Beets, Ietje | - |
dc.subject.artist | Brighton, Gareth John | - |
dc.subject.artist | Burtenshaw, Lana | - |
dc.subject.artist | Caley, Harry | - |
dc.subject.artist | Coleman, Hamish | - |
dc.subject.artist | Dewhirst, Rachael | - |
dc.subject.artist | Gilkes, Raewyn | - |
dc.subject.artist | Glavas, Marela | - |
dc.subject.artist | Hartley-Skudder, Emily | - |
dc.subject.artist | Jones, Sophie | - |
dc.subject.artist | Leslie, Keir | - |
dc.subject.artist | Logan, Mat | - |
dc.subject.artist | Matthews, Lucy | - |
dc.subject.artist | Middleton, Tim | - |
dc.subject.artist | Millwood, Adrienne | - |
dc.subject.artist | Neill, Sophie | - |
dc.subject.artist | Takuoka, Makoto | - |
dc.subject.artwork | State of Flow ([n.d.], Joshua Bashford) | - |
dc.subject.artwork | Lydia ([n.d.], Emma J. Bathgate) | - |
dc.subject.artwork | Lattice ([n.d.], Hannah Betty) | - |
dc.subject.artwork | Behind the Yellow ([n.d.], Ietje Beets) | - |
dc.subject.artwork | Spring in Xioxiang ([n.d.], Gareth John Brighton) | - |
dc.subject.artwork | Hardcore #2 ([n.d.], Lana Burtenshaw) | - |
dc.subject.artwork | A Bedroom Community ([n.d.], Harry Caley) | - |
dc.subject.artwork | Double Circle II ([n.d.], Hamish Coleman) | - |
dc.subject.artwork | Cloud ([n.d.], Rachael Dewhirst) | - |
dc.subject.artwork | Feijoas ([n.d.], Raewyn Gilkes) | - |
dc.subject.artwork | Vena ([n.d.], Marela Glavas) | - |
dc.subject.artwork | Vintage Library Still Life ([n.d.], Emily Hartley-Skudder) | - |
dc.subject.artwork | Nest ([n.d.], Sophie Jones) | - |
dc.subject.artwork | The Savagery of the Swimsuit ([n.d.], Kier Leslie) | - |
dc.subject.artwork | The Endless Everday ([n.d.], Mat Logan) | - |
dc.subject.artwork | People ([n.d.], Lucy Matthews) | - |
dc.subject.artwork | Embedded: the Offending Article ([n.d.], Tim Middleton) | - |
dc.subject.artwork | Hotdog ([n.d.], Adrienne Millwood) | - |
dc.subject.artwork | Untitled ([n.d.], Sophie Neill) | - |
dc.subject.artwork | The Poor Man ([n.d.], Makoto Takuoka) | - |
dc.subject.getty | awards | - |
dc.subject.getty | acquisition (collections management) | - |
dc.subject.getty | collection development | - |
dcterms.spatial.venue | Ilam Campus Gallery (University of Canterbury : Christchurch, N.Z.) | - |
prism.publicationname | SOFA (Christchurch, N.Z.) | - |
prism.pagerange | whole publication | - |
dc.subject.exhibition | Select 2012 (2012) | - |
Appears in Collections: | INZART: Inmagic collection (utf8) |
Files in This Item:
There are no files associated with this item.
Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.