Please use this identifier to cite or link to this item: https://superindex.lbr.auckland.ac.nz/handle/123456789/495288
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DC FieldValueLanguage
dc.creatorWhite, Anna-Marie-
dc.date16 February 2013-
dc.date.accessioned2017-06-30T02:24:01Z-
dc.date.available2017-06-30T02:24:01Z-
dc.identifier.urihttp://superindex.lbr.auckland.ac.nz//handle/123456789/495288-
dc.description2 colour-
dc.formatphysical text-
dc.format.mediumText-
dc.format.mediumImage-
dc.languageEnglish-
dc.publisherINZART/The University of Auckland Library=Te Tumu Herenga-
dc.rightsThis material is protected by copyright and has been copied for the educational purposes of the University under licence. You may not sell, alter or further reproduce or distribute any part of this coursepack/material to any other person. Where provided to you in electronic format, you may only print from it for your own private study and research. Failure to comply with the terms of this warning may expose you to legal action for copyright infringement and/or disciplinary action by the University.-
dc.source2013_0135-
dc.titleContrat in artitic tempo.-
dc.subject.personWhite, Anna-Marie-
dc.description.notesWhite looks at the possible influence on Evans's landscapes by Woolaston.-
dc.identifier.inmagic189501-
dc.subject.articletypeCutting-
dc.subject.artistEvans, Jane-
dc.subject.artistWoollaston, Toss-
dc.subject.artworkSouthern Landscape (1969, Jane Evans)-
dc.subject.artworkThe Hohonu (1965, Toss Woolaston)-
dc.subject.gettypaintings (visual works)-
dcterms.spatial.venueSuter (Nelson, N.Z.)-
prism.publicationnameNelson mail-
prism.pagerange12-
Appears in Collections:INZART: Inmagic collection (utf8)

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