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https://superindex.lbr.auckland.ac.nz/handle/123456789/496634
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DC Field | Value | Language |
---|---|---|
dc.creator | Smythe, Luke | - |
dc.date | 2013 | - |
dc.date.accessioned | 2017-06-30T02:26:29Z | - |
dc.date.available | 2017-06-30T02:26:29Z | - |
dc.identifier.uri | http://superindex.lbr.auckland.ac.nz//handle/123456789/496634 | - |
dc.description | 9 b/w | - |
dc.description.abstract | In this article Smythe traces Lye's work and its reception in the context of pre-World War II, in Europe. Illustrated artworks discussed in detail. | - |
dc.description.tableofcontents | Movement as Muse -- Direct Filmmaking and the Body of Leisure -- The Rhythms of Labor and the Social Body -- Kill or Be Killed -- Coda: Somaesthetic Cinema | - |
dc.format | physical text | - |
dc.format.medium | Text | - |
dc.format.medium | Image | - |
dc.language | English | - |
dc.publisher | INZART/The University of Auckland Library=Te Tumu Herenga | - |
dc.rights | Copyright restrictions apply | - |
dc.title | Len Lye: The Vital Body of Cinema | - |
prism.number | 144 | - |
dc.subject.person | Horrocks, Roger | - |
dc.description.notes | Artworks discussed but not pictured entitled: | - |
dc.description.notes | Fountain (1963-76, Len Lye) | - |
dc.description.notes | Blade (1976, Lye) | - |
dc.description.notes | International artists referenced include: | - |
dc.description.notes | McCall, Anthony | - |
dc.description.notes | Sharits, Paul | - |
dc.description.notes | Conrad, Tony | - |
dc.description.notes | Nauman, Bruce | - |
dc.description.notes | Maholy-Nagy, Laszlo | - |
dc.description.notes | Rodchenko, Aleksandr | - |
dc.description.notes | Richter, Hans | - |
dc.description.notes | Ray, Man | - |
dc.description.notes | Eggeling, Viking | - |
dc.description.notes | Leger, Fernand | - |
dc.description.notes | Oskar, Fischinger | - |
dc.identifier.inmagic | 190753 | - |
dc.subject.articletype | Journal | - |
dc.subject.artist | Lye, Len | - |
dc.subject.artwork | A Colour Box (1935, Len Lye) | - |
dc.subject.artwork | Tusalava (1929, Lye) | - |
dc.subject.artwork | Swinging the Lambeth Walk (1939, Lye) | - |
dc.subject.artwork | Rainbow Dance (1936, Lye) | - |
dc.subject.artwork | Birth of the Robot (1936, Lye) | - |
dc.subject.artwork | Trade Tattoo (1937, Lye) | - |
dc.subject.artwork | Kill or Be Killed (1942, Lye) | - |
dc.subject.getty | video art | - |
dc.subject.getty | motion pictures (visual works) | - |
dc.subject.getty | multimedia works | - |
dc.subject.getty | Abstract (fine arts style) | - |
dc.subject.local | war | - |
dcterms.spatial.venue | Govett-Brewster Art Gallery (New Plymouth, N.Z.) | - |
prism.publicationname | October | - |
prism.pagerange | 73-91 | - |
prism.issuename | Spring | - |
Appears in Collections: | INZART: Inmagic collection (utf8) |
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