Please use this identifier to cite or link to this item:
https://superindex.lbr.auckland.ac.nz/handle/123456789/496824
Full metadata record
DC Field | Value | Language |
---|---|---|
dc.creator | Connolly, Maeve | - |
dc.date | 2013 | - |
dc.date.accessioned | 2017-06-30T02:26:52Z | - |
dc.date.available | 2017-06-30T02:26:52Z | - |
dc.identifier.uri | http://superindex.lbr.auckland.ac.nz//handle/123456789/496824 | - |
dc.description | 7 colour | - |
dc.description.abstract | 'Maeve Connolly examines television as an object of artistic enquiry in recent exhibitions by Nathaniel Mellors, Shana Moulton, and Ryan Trecartin and Lizzie Fitch, identifying a common interest in the role of television as mediator of both material and social relationships.' | - |
dc.description.tableofcontents | Prosthetics, Relics and Props -- Televisual Prosthetics in the Gallery -- The Remains of Television | - |
dc.format | physical text | - |
dc.format.medium | Text | - |
dc.format.medium | Image | - |
dc.language | English | - |
dc.publisher | INZART/The University of Auckland Library=Te Tumu Herenga | - |
dc.rights | Copyright restrictions apply | - |
dc.title | Televisual Objects: Props, Relics and Prosthetics | - |
prism.volume | 33 | - |
dc.description.notes | International artists referenced include: | - |
dc.description.notes | Mellors, Nathaniel | - |
dc.description.notes | Moulton, Shana | - |
dc.description.notes | Trecartin, Ryan | - |
dc.description.notes | Fitch, Lizzie | - |
dc.description.notes | Richter, Gerhard | - |
dc.description.notes | Lueg, Konrad | - |
dc.description.notes | Burden, Chris | - |
dc.description.notes | Acconci, Vito | - |
dc.description.notes | Barney, Matthew | - |
dc.identifier.inmagic | 190843 | - |
dc.subject.articletype | Journal | - |
dc.subject.artist | Denny, Simon | - |
dc.subject.artwork | Truson's Venus : Venus of Truson (prehistoric, photogrammic original) (2012, Nathaniel Mellors) | - |
dc.subject.artwork | Channel 4 Analogue Broadcasting Hardware from Arqiva's Sudbury Transmitter (2012, Simon Denny) | - |
dc.subject.artwork | Whispering Pines 9 (2009, Shana Moulton) | - |
dc.subject.artwork | Under Sided (2011, Ryan Trecartin and Lizzie Fitch) | - |
dc.subject.artwork | Bad Copy (2012, Nathaniel Mellors) | - |
dc.subject.artwork | Ourhouse Episode 3: The Cure of Folly (2011, Nathaniel Mellors) | - |
dc.subject.getty | video art | - |
dc.subject.getty | multimedia works | - |
dc.subject.getty | installations (visual works) | - |
dc.subject.getty | time-based works | - |
prism.publicationname | Afterall | - |
prism.pagerange | 66-77 | - |
dc.subject.exhibition | Remote Control (2012) | - |
Appears in Collections: | INZART: Inmagic collection (utf8) |
Files in This Item:
There are no files associated with this item.
Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.