Please use this identifier to cite or link to this item: https://superindex.lbr.auckland.ac.nz/handle/123456789/497049
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DC FieldValueLanguage
dc.creatorTombs, H. H.-
dc.date1939-
dc.date.accessioned2017-06-30T02:27:21Z-
dc.date.available2017-06-30T02:27:21Z-
dc.identifier.urihttp://superindex.lbr.auckland.ac.nz//handle/123456789/497049-
dc.description2 colour-
dc.description4 b/w-
dc.description.abstractTombs discusses the work of of John Platt and the influence that Japanese colour-printing has had in the West.-
dc.formatphysical text-
dc.format.mediumText-
dc.format.mediumImage-
dc.languageEnglish-
dc.publisherINZART/The University of Auckland Library=Te Tumu Herenga-
dc.rightsCopyright restrictions apply-
dc.titleThe Colour Wood-Cut : Its Value in the Modern Home-
prism.volume11-
prism.number3-
dc.description.notesInternational artists referenced include:-
dc.description.notesPlatt, John-
dc.identifier.inmagic191068-
dc.subject.articletypeJournal-
dc.subject.artworkThe Jetty, Sennen Cove, England ([n.d.], John Platt) [colour reproduction]-
dc.subject.artworkSails ([n.d.], Platt) [colour reproduction]-
dc.subject.artworkBird of Fear ([n.d.], Platt)-
dc.subject.artworkThe Lamb ([n.d.], Platt)-
dc.subject.artworkThe Horse ([n.d.], Platt)-
dc.subject.artworkTwo Shells ([n.d.], Platt)-
dc.subject.gettyprintmaking-
dc.subject.gettyprints (visual works)-
dc.subject.localwatercolours (paintings)-
prism.publicationnameArt in New Zealand-
prism.pagerangefrontispiece, 107-115-
prism.issuenameMarch-
Appears in Collections:INZART: Inmagic collection (utf8)

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