1. University of Auckland SuperIndex 5.3
  2. INZART: Index to New Zealand Art
  3. INZART: Inmagic collection (utf8)
Please use this identifier to cite or link to this item: https://superindex.lbr.auckland.ac.nz/handle/123456789/497502
Full metadata record
DC FieldValueLanguage
dc.creatorSemu, Greg-
dc.date2013-
dc.date.accessioned2017-06-30T02:28:09Z-
dc.date.available2017-06-30T02:28:09Z-
dc.identifier.urihttp://superindex.lbr.auckland.ac.nz//handle/123456789/497502-
dc.description3 colour-
dc.description.abstractIn this article Semu describes his process of restaging colonial histories through a contemporary lens in order to create a dialogue around the often romanticized display in museums of indigenous cultural artefacts.-
dc.formatphysical text-
dc.format.mediumImage-
dc.format.mediumText-
dc.languageEnglish-
dc.publisherINZART/The University of Auckland Library=Te Tumu Herenga-
dc.rightsCopyright restrictions apply-
dc.titleGreg Semu-
prism.number24-
dc.identifier.inmagic191521-
dc.subject.articletypeJournal-
dc.subject.artistSemu, Greg-
dc.subject.artworkSelf-portrait with side of Pe'a, Sentinel Road Herne Bay (2012, Greg Semu)-
dc.subject.artworkAuto Portrait with 12 Disciples (2010, Semu)-
dc.subject.artworkAuto Portrait as La Pieta (2012, Semu)-
dc.subject.gettyphotography-
dc.subject.gettymuseums (institutions)-
dc.subject.gettycolonialism-
dc.subject.localreligion in art-
dc.subject.localhistory-
prism.publicationnameArtist profile-
prism.pagerange130-131-
Appears in Collections:INZART: Inmagic collection (utf8)

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