Please use this identifier to cite or link to this item: https://superindex.lbr.auckland.ac.nz/handle/123456789/497512
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dc.creatorWin, Hamish-
dc.date2012-
dc.date.accessioned2017-06-30T02:28:10Z-
dc.date.available2017-06-30T02:28:10Z-
dc.identifier.urihttp://superindex.lbr.auckland.ac.nz//handle/123456789/497512-
dc.description3 colour-
dc.description.abstractIn this article, Win compares the 'therapeutic encounter' of work by jeweller Karl Fritsch to the 'vital materiality' and use of everyday materials in the work of Bryant and Lundberg. This comparison is prefaced with a discussion around the concept of 'self design', as articulated by theorists Boris Groys and Hal Foster.-
dc.formatphysical text-
dc.format.mediumImage-
dc.format.mediumText-
dc.languageEnglish-
dc.publisherINZART/The University of Auckland Library=Te Tumu Herenga-
dc.rightsCopyright restrictions apply-
dc.source.urihttp://unprojects.org.au/magazine/issues/issue-6-1/it-may-gild-poverty-but-it-cannot-transcend-it/-
dc.titleIt may gild poverty, but it cannot transcend it-
prism.volume6-
prism.number1-
dc.identifier.inmagic191531-
dc.subject.articletypeJournal-
dc.subject.artistWells, Tao-
dc.subject.artistBryant, Richard-
dc.subject.artistFritsch, Karl-
dc.subject.artistLundberg, Patrick-
dc.subject.artworkUntitled (2011, Richard Bryant)-
dc.subject.artworkUntitled (2011, Patrick Lundberg)-
dc.subject.gettyart criticism-
dc.subject.gettyart theory-
dc.subject.gettypaintings (visual works)-
dc.subject.gettyworks on paper-
prism.publicationnameUn magazine-
prism.pagerangeunpaginated-
prism.issuenameJune-
Appears in Collections:INZART: Inmagic collection (utf8)

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