Please use this identifier to cite or link to this item: https://superindex.lbr.auckland.ac.nz/handle/123456789/500037
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DC FieldValueLanguage
dc.creatorBurgess, Malcolm-
dc.date2013-2014-
dc.date.accessioned2017-06-30T02:33:16Z-
dc.date.available2017-06-30T02:33:16Z-
dc.identifier.urihttp://superindex.lbr.auckland.ac.nz//handle/123456789/500037-
dc.description6 colour-
dc.formatphysical text-
dc.format.mediumText-
dc.format.mediumImage-
dc.languageEnglish-
dc.publisherINZART/The University of Auckland Library=Te Tumu Herenga-
dc.rightsCopyright restrictions apply-
dc.titleAfter Effects : On the Role of the Image in Processing the Unimaginable-
prism.number148-
dc.subject.personHall, Ken-
dc.subject.organisationVictoria University of Wellington-
dc.identifier.inmagic193774-
dc.subject.articletypeJournal-
dc.subject.artistJohns, Paul-
dc.subject.artworkMum (2013, Paul Johns)-
dc.subject.artworkThe Odeon Theatre, 25 May 2013 (2013, Johns)-
dc.subject.artworkReel-Unreel (2011, Francis ALys (in collaboration with Julien Devaux and Ajmal Maiwandi)-
dc.subject.artworkRasen Kaigan (2013, Lieko Shiga). Detail-
dc.subject.artworkPortrait of Cultivation, from the Rasen Kaigan series(2008-2013, Shiga)-
dc.subject.gettyphotography-
dc.subject.gettydocumentaries (documents)-
dc.subject.gettydocumentation (activity)-
dc.subject.gettyvideo art-
dc.subject.localwar-
dcterms.spatial.venueAdam Art Gallery (Victoria University of Wellington)-
dcterms.spatial.venueChristchurch Art Gallery-
prism.publicationnameArt New Zealand-
prism.pagerange68-71-
dc.subject.exhibitionAll There is Left (2013)-
dc.subject.exhibitionBiennale of Sydney (15th : 2006). Zones of Contact-
prism.issuenameSummer-
Appears in Collections:INZART: Inmagic collection (utf8)

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