Please use this identifier to cite or link to this item:
https://superindex.lbr.auckland.ac.nz/handle/123456789/502782
Full metadata record
DC Field | Value | Language |
---|---|---|
dc.creator | Wedde, Ian | - |
dc.date | 2010 | - |
dc.date.accessioned | 2017-06-30T02:38:21Z | - |
dc.date.available | 2017-06-30T02:38:21Z | - |
dc.identifier.uri | http://superindex.lbr.auckland.ac.nz//handle/123456789/502782 | - |
dc.description | 7 colour | - |
dc.description.abstract | 'The Farm, Alan Gibbs' sculpture park at Kaipara Harbour in New Zealand, consists of 1,000 acres grazed by exotic animals, such as giraffes - and 23 major sculptures by new Zealand and international artists. The project commenced in 1991 after a two-year site hunt. While some of the largest works, such as Richard Serra's Te Tuhirangi Contour (1999-2001), are visible from the road, the park is not a public space.' This is a private collection. Yet it raises questions about what constitutes public art, and about the kinds of social encounters generated after initial contacts between commissioner and artist.' | - |
dc.format | physical text | - |
dc.format.medium | Text | - |
dc.format.medium | Image | - |
dc.language | English | - |
dc.publisher | INZART/The University of Auckland Library=Te Tumu Herenga | - |
dc.rights | Copyright restrictions apply | - |
dc.title | The Farm: The Alan Gibbs Sculpture Project at Kaipara Harbour, New Zealand | - |
prism.volume | 21 | - |
prism.number | 2 | - |
dc.subject.person | Gibbs, Alan | - |
dc.description.notes | Reference made to: | - |
dc.description.notes | Goldsworthy, Andy | - |
dc.description.notes | Buren, Daniel | - |
dc.description.notes | Kapoor, Anish | - |
dc.description.notes | Serra, Richard | - |
dc.description.notes | LeWillt, Sol | - |
dc.identifier.inmagic | 196222 | - |
dc.subject.articletype | Journal | - |
dc.subject.artist | Walters, Gordon | - |
dc.subject.artwork | Te Tuhirangi Contour (1999-2001, Richard Serra) | - |
dc.subject.artwork | Pyramid (Keystone NZ) (1997, Sol Se Witt) | - |
dc.subject.artwork | Dismemberment Site 1 (2009, Anish Kapoor) | - |
dc.subject.artwork | Untitled (Red Square/Black Square) (1994, Richard Thompson) | - |
dc.subject.artwork | Green & White Fence (1999-2001, Daniel Buren) | - |
dc.subject.artwork | Electrum (for Len Lye) (1997, Eric Orr) | - |
dc.subject.artwork | Mud Opera (2008, Tony Oursler) | - |
dc.subject.getty | sculpture (visual works) | - |
dc.subject.getty | Modern (style or period) | - |
dc.subject.getty | art commissions | - |
dc.subject.getty | collections (object groupings) | - |
dc.subject.getty | collecting | - |
dc.subject.getty | public art | - |
dc.subject.getty | landscapes (representations) | - |
dc.subject.getty | colonialism | - |
prism.publicationname | Public art review | - |
prism.pagerange | 14-19 | - |
prism.issuename | Spring / Summer | - |
Appears in Collections: | INZART: Inmagic collection (utf8) |
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