Please use this identifier to cite or link to this item:
https://superindex.lbr.auckland.ac.nz/handle/123456789/506183
Full metadata record
DC Field | Value | Language |
---|---|---|
dc.creator | Farrar, Sarah | - |
dc.date | 2014 | - |
dc.date.accessioned | 2017-06-30T02:44:40Z | - |
dc.date.available | 2017-06-30T02:44:40Z | - |
dc.identifier.uri | http://superindex.lbr.auckland.ac.nz//handle/123456789/506183 | - |
dc.description | 10 colour | - |
dc.description.abstract | 'Sarah Farrar on the works in Framing the Museum' | - |
dc.description.tableofcontents | We will no longer be seen and not heard -- On the outside looking in -- Institutional critique -- Social grease -- Selling out? -- A seat at the table -- Paying attention | - |
dc.format | physical text | - |
dc.format.medium | Text | - |
dc.format.medium | Image | - |
dc.language | English | - |
dc.publisher | INZART/The University of Auckland Library=Te Tumu Herenga | - |
dc.rights | Copyright restrictions apply | - |
dc.source.uri | http://arts.tepapa.govt.nz/off-the-wall/8218/congratulations-you-are-now-a-member-of-the-art-cult | - |
dc.title | Congratulations! You are now a member of the art cult | - |
prism.number | 7 | - |
dc.subject.person | Barton, Christina | - |
dc.description.notes | Reference made to: | - |
dc.description.notes | Javacheff, Christo V | - |
dc.description.notes | Haacke, Hans | - |
dc.description.notes | Bell, Richard | - |
dc.description.notes | Nauman, Bruce | - |
dc.description.notes | Albert, Tony | - |
dc.description.notes | Kruger, Barbara | - |
dc.identifier.inmagic | 199333 | - |
dc.subject.articletype | Journal | - |
dc.subject.artist | Tyndall, Peter | - |
dc.subject.artist | Robinson, Peter | - |
dc.subject.artist | Buis, Linda | - |
dc.subject.artist | Roche, Peter | - |
dc.subject.artist | Apple, Billy | - |
dc.subject.artwork | A Person Looks At A Work Of Art / someone looks at something ... 1979-86 (1979-86, Peter Tyndall) | - |
dc.subject.artwork | Strategic Plan (1996, Peter Robinson) | - |
dc.subject.artwork | Advantages of Being a Woman Artist (1989, Guerilla Girls) | - |
dc.subject.artwork | Untitled (We are unsuitable for framing) (1985, Barbara Kruger) | - |
dc.subject.artwork | Museum piece (1993, Peter Roche and Linda Buis) | - |
dc.subject.artwork | Whitney Museum of American Art, Packed, Project for New York. From the portfolio:'(Some) Not Realised Projects' (1971, Christo V. Javacheff) | - |
dc.subject.artwork | Allied Chemical Tower, Packed, Project for 1 Times Square, New York. From the portfolio: '(Some) Not Realised Projects' (1971, Javacheff) | - |
dc.subject.artwork | Art for Sale (1981, Billy Apple) | - |
dc.subject.artwork | Sold (1981, Apple) | - |
dc.subject.artwork | The dinner party (2013, Richard Bell) | - |
dc.subject.getty | Conceptual | - |
dc.subject.getty | art galleries (institutions) | - |
dc.subject.getty | art museums (institutions) | - |
dc.subject.getty | art criticism | - |
dcterms.spatial.venue | Auckland War Memorial Museum | - |
dcterms.spatial.venue | Museum of New Zealand Te Papa Tongarewa (Wellington, N.Z.) | - |
prism.publicationname | Off the wall | - |
prism.pagerange | unpaginated | - |
dc.subject.exhibition | Framing the Museum (2014-2015) | - |
prism.issuename | December | - |
Appears in Collections: | INZART: Inmagic collection (utf8) |
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