Please use this identifier to cite or link to this item: https://superindex.lbr.auckland.ac.nz/handle/123456789/507486
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DC FieldValueLanguage
dc.creatorRoss, Matt-
dc.date[2004]-
dc.date.accessioned2017-06-30T02:47:05Z-
dc.date.available2017-06-30T02:47:05Z-
dc.identifier.urihttp://superindex.lbr.auckland.ac.nz//handle/123456789/507486-
dc.description1 b/w-
dc.description.abstractIn this interview, Ross talks to Adams about the unease of showing of an extreme edit from a large body of his work, at the 2nd Auckland Triennial.-
dc.formatphysical text-
dc.format.mediumText-
dc.format.mediumImage-
dc.languageEnglish-
dc.publisherINZART/The University of Auckland Library=Te Tumu Herenga-
dc.rightsCopyright restrictions apply-
dc.titleMatt Ross Interviews Mark Adams-
dc.typeInterview-
prism.number2-
dc.identifier.inmagic200537-
dc.subject.articletypeJournal-
dc.subject.artistAdams, Mark-
dc.subject.artistFomison, Tony-
dc.subject.artworkAuthentic Tribal Arts'. Spiegelgracht, Amsterdam, Netherlands. Michel Thieme, Fufuga Tatatau: Su'a Sulu'ape Paulo. 22.7.2000 (2000, Mark Adams)-
dc.subject.gettyphotography-
dc.subject.gettycurating-
dc.subject.gettytattoos-
dc.subject.gettycultural artifacts-
dc.subject.localSamoan art and culture-
prism.publicationnameCrease-
prism.pagerangeone folded sheet-
dc.subject.exhibitionAuckland Triennial (2nd : 2004). Public/Private-
Appears in Collections:INZART: Inmagic collection (utf8)

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