1. University of Auckland SuperIndex 5.3
  2. INZART: Index to New Zealand Art
  3. INZART: Inmagic collection (utf8)
Please use this identifier to cite or link to this item: https://superindex.lbr.auckland.ac.nz/handle/123456789/508002
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DC FieldValueLanguage
dc.creatorCollie, John-
dc.date2015-
dc.date.accessioned2017-06-30T02:48:02Z-
dc.date.available2017-06-30T02:48:02Z-
dc.identifier.urihttp://superindex.lbr.auckland.ac.nz//handle/123456789/508002-
dc.description3 colour-
dc.description.abstract'I remember going to the Metropolitan Museum of Art in New York many years ago and being confronted by a giant red colour-field painting by Mark Rothko. The colour was so intense and immersive; how could this be conveyed in a tiny art book reproduction? While scale isn't something that can realistically be dealt with in a book, accurate colour and a sense of texture can aid in defining the characteristics of works of art.'-
dc.formatphysical text-
dc.format.mediumText-
dc.format.mediumImage-
dc.languageEnglish-
dc.publisherINZART/The University of Auckland Library=Te Tumu Herenga-
dc.rightsCopyright restrictions apply-
dc.titleThe art of invisibility-
prism.number179-
dc.identifier.inmagic200954-
dc.subject.articletypeJournal-
dc.subject.artistArndt, Mina-
dc.subject.artistVelden, Petrus van der-
dc.subject.artistCulbert, Bill-
dc.subject.artistHammond, Bill-
dc.subject.artworkPlaits (c. 1918, Mina Arndt)-
dc.subject.artworkJacksons, Otira (c. 1893, Petrus van der Velden)-
dc.subject.artworkPacific Flotsam (2007, Bill Culbert). Detail-
dc.subject.gettyphotography-
dc.subject.gettycollections (object groupings)-
dc.subject.gettyartists' materials-
dc.subject.gettypaintings (visual works)-
dc.subject.localdigital art-
dcterms.spatial.venueChristchurch Art Gallery-
prism.publicationnameBulletin / Christchurch Art Gallery-
prism.pagerange34-37-
prism.issuenameMarch - May-
Appears in Collections:INZART: Inmagic collection (utf8)

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