1. University of Auckland SuperIndex 5.3
  2. INZART: Index to New Zealand Art
  3. INZART: Inmagic collection (utf8)
Please use this identifier to cite or link to this item: https://superindex.lbr.auckland.ac.nz/handle/123456789/508016
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DC FieldValueLanguage
dc.creatorHanfling, Edward-
dc.date2014-
dc.date.accessioned2017-06-30T02:48:03Z-
dc.date.available2017-06-30T02:48:03Z-
dc.identifier.urihttp://superindex.lbr.auckland.ac.nz//handle/123456789/508016-
dc.description1 colour-
dc.description3 b/w-
dc.description.abstractIn this article, Hanfling draws on differences and connections between the women's art movement and a group of Formalists that formed around the Vuletic/ James Gallery, in the 1970s and 80s.-
dc.formatphysical text-
dc.format.mediumText-
dc.format.mediumImage-
dc.languageEnglish-
dc.publisherINZART/The University of Auckland Library=Te Tumu Herenga-
dc.rightsCopyright restrictions apply-
dc.titleFeminists and Formalists-
prism.volume14-
prism.number2-
dc.subject.personBarton, Christina-
dc.subject.personVuletic, Petar-
dc.subject.personSmith, Allan-
dc.subject.personPound, Francis-
dc.subject.personBarrie, Lita-
dc.subject.personLeonard, Robert-
dc.subject.organisationElam School of Fine Arts (University of Auckland)-
dc.description.notesArtworks discussed but not pictured entitled:-
dc.description.notesMenstrual Maze (1983, Juliet Batten)-
dc.description.notesCountry Clothesline (1972, Christine Hellyar)-
dc.description.notesEmpathy for Rape Trial Victim (1978, Allie Eagle)-
dc.description.notesThis Woman Died I Care (1978, Eagle)-
dc.identifier.inmagic200968-
dc.subject.articletypeJournal-
dc.subject.artistEagle, Allie-
dc.subject.artistPitts, Priscilla-
dc.subject.artistMrkusich, Milan-
dc.subject.artistWalters, Gordon-
dc.subject.artistKilleen, Richard-
dc.subject.artistScott, Ian-
dc.subject.artistO'Sullivan, Phillip-
dc.subject.artistThornley, Geoff-
dc.subject.artistBambury, Stephen-
dc.subject.artistGood, Roy-
dc.subject.artistLeft, Ron-
dc.subject.artistWright, Alan-
dc.subject.artistGarcia-Alvarez, Alberto-
dc.subject.artistMorison, Julia-
dc.subject.artistPaul, Joanna Margaret-
dc.subject.artistBosworth, Rhondda-
dc.subject.artistHellyar, Christine-
dc.subject.artistHunter, Alexis-
dc.subject.artistFahey, Jacqueline-
dc.subject.artistLynn, Vivian-
dc.subject.artistBatten, Juliet-
dc.subject.artistKirker, Anne-
dc.subject.artistPitts, Priscilla-
dc.subject.artistSotheran, Cheryll-
dc.subject.artistMcCahon, Colin-
dc.subject.artistBinney, Don-
dc.subject.artistClairmont, Philip-
dc.subject.artistFomison, Tony-
dc.subject.artistMaddox, Allen-
dc.subject.artistHanly, Pat-
dc.subject.artistEllis, Robert-
dc.subject.artistAlbrecht, Gretchen-
dc.subject.artistEyley, Claudia Pond-
dc.subject.artistGopas, Rudolf-
dc.subject.artistTrusttum, Philip-
dc.subject.artwork100 Women Project, 12 May 1985, Te Henga, Auckland (1985, Juliet Batten)-
dc.subject.artworkLandscape (1982, Joanna Margaret Paul)-
dc.subject.artworkAuckland Morning (1974, Ian Scott)-
dc.subject.artworkPainting Red (1974, Milan Mrkusich)-
dc.subject.gettyfeminism-
dc.subject.gettyAbstract (fine arts style)-
dcterms.spatial.venuePetar James Gallery (Auckland, N.Z.)-
dcterms.spatial.venueRobert McDougall Art Gallery (Christchurch, N.Z.)-
dcterms.spatial.venueNew Vision Gallery (Auckland, N.Z.)-
prism.publicationnameAustralian and New Zealand journal of art-
prism.pagerange183-198-
dc.subject.exhibitionSix Women Artists-
dc.subject.exhibitionVuletic and his Circle [2003]-
Appears in Collections:INZART: Inmagic collection (utf8)

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