1. University of Auckland SuperIndex 5.3
  2. INZART: Index to New Zealand Art
  3. INZART: Inmagic collection (utf8)
Please use this identifier to cite or link to this item: https://superindex.lbr.auckland.ac.nz/handle/123456789/509358
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DC FieldValueLanguage
dc.creatorSantry, Arron-
dc.date2015-
dc.date.accessioned2017-06-30T02:50:37Z-
dc.date.available2017-06-30T02:50:37Z-
dc.identifier.urihttp://superindex.lbr.auckland.ac.nz//handle/123456789/509358-
dc.description3 colour including portrait: Woolford.-
dc.description.abstractArticle discusses "Joe Scanlan, Donelle Woolford, and the meaning of race in the context of capitalist realism."-
dc.formatphysical text-
dc.format.mediumText-
dc.format.mediumImage-
dc.languageEnglish-
dc.publisherINZART/The University of Auckland Library=Te Tumu Herenga-
dc.rightsThis material is protected by copyright and has been copied for the educational purposes of the University under licence. You may not sell, alter or further reproduce or distribute any part of this coursepack/material to any other person. Where provided to you in electronic format, you may only print from it for your own private study and research. Failure to comply with the terms of this warning may expose you to legal action for copyright infringement and/or disciplinary action by the University.-
dc.titleBlack Captital: The trouble with Donelle Woolford-
prism.number2-
dc.subject.personGrabner, Michelle-
dc.identifier.inmagic202215-
dc.subject.articletypeJournal-
dc.subject.artworkDick's Last Stand (2014, Donelle Woolford)-
dc.subject.artworkAvatar (2007, Donelle Woolford)-
dc.subject.gettyidentity-
dc.subject.gettyperformance art-
dc.subject.gettycollaboration-
dc.subject.gettyartists' collectives-
dc.subject.gettypolitics-
dc.subject.gettyart theory-
prism.publicationnameLe roy-
prism.pagerange16-21-
Appears in Collections:INZART: Inmagic collection (utf8)

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