Please use this identifier to cite or link to this item: https://superindex.lbr.auckland.ac.nz/handle/123456789/509881
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dc.creatorOlsen, Justine-
dc.date2014-
dc.date.accessioned2017-06-30T02:51:35Z-
dc.date.available2017-06-30T02:51:35Z-
dc.identifier.urihttp://superindex.lbr.auckland.ac.nz//handle/123456789/509881-
dc.description9 colour-
dc.description.abstract"Justine Olsen, Curator Decorative Art and Design at Te Papa Tongarewa, Wellington, NZ."-
dc.formatphysical text-
dc.format.mediumText-
dc.format.mediumImage-
dc.languageEnglish-
dc.publisherINZART/The University of Auckland Library=Te Tumu Herenga-
dc.rightsThis material is protected by copyright and has been copied for the educational purposes of the University under licence. You may not sell, alter or further reproduce or distribute any part of this coursepack/material to any other person. Where provided to you in electronic format, you may only print from it for your own private study and research. Failure to comply with the terms of this warning may expose you to legal action for copyright infringement and/or disciplinary action by the University.-
dc.source.urihttp://www.jewellersguildofgreatersandringham.com/overview-16-mar-2014.html-
dc.titleBone Stone Shell 25 years on-
prism.number16-
dc.subject.personOlsen, Justine-
dc.subject.personMack, James-
dc.subject.personRyan, Edith-
dc.subject.personTamati-Quennell, Megan-
dc.subject.organisationCrafts Council of New Zealand-
dc.description.notesIssue #16 is entitled "The Wunderruma Edition".-
dc.description.notesArtwork discussed but not pictured entitled:-
dc.description.notesFlight of the birdsong ([n.d.], Jemmy Pattrick). Series-
dc.description.notesTiki Face (1992, Warwick Freeman)-
dc.description.notesKoru Whistle (1993, Warwick Freeman)-
dc.description.notesGate (2004, Jason Gate). Series-
dc.description.notes96.04.25 (2001, Areta Wilkinson)-
dc.description.notesHost a brooch (2011, Jaqui Chan)-
dc.description.notesWhite foreshore (2003-2004, Alan Preston)-
dc.identifier.inmagic202743-
dc.subject.articletypeJournal-
dc.subject.artistPreston, Alan-
dc.subject.artistMapp, Owen-
dc.subject.artistSalt, Donn-
dc.subject.artistMaxwell, Hepi-
dc.subject.artistMarsden, Doug-
dc.subject.artistEdgar, John-
dc.subject.artistFreeman, Warwick-
dc.subject.artistBosshard, Kobi-
dc.subject.artistMason, Paul-
dc.subject.artistMason, Roy-
dc.subject.artistAnnear, Paul-
dc.subject.artistHegglun, Dave-
dc.subject.artistWalker, Lisa-
dc.subject.artistCouper, Michael-
dc.subject.artistPattrick, Jenny-
dc.subject.artistTaylor, Inia-
dc.subject.artistCampbell, Hamish-
dc.subject.artworkCompass (1987, John Edgar)-
dc.subject.artworkA different red, a different black ( 1999-2013, Warwick Freeman)-
dc.subject.artworkLand Alive (1987, Dave Hegglun)-
dc.subject.artworkWhat Karl didn't take with him (2010, Lisa Walker).-
dc.subject.artworkBreastplate (1987, Alan Preston)-
dc.subject.artworkKoru Amulet (1983, Owen Mapp)-
dc.subject.localjewellery-
dc.subject.localPacific culture-
dcterms.spatial.venueMuseum of New Zealand Te Papa Tongarewa (Wellington, N.Z.)-
prism.publicationnameOverview conversations about jewellery in Aotearoa N.Z.-
prism.pagerange4-5-
dc.subject.exhibitionBone, Stone, Shell (1988)-
dc.subject.exhibitionBone Stone Shell 25 Years On (2013)-
dc.subject.exhibitionPaua Dreams (1981)-
prism.issuenameMarch-
Appears in Collections:INZART: Inmagic collection (utf8)

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