Please use this identifier to cite or link to this item:
https://superindex.lbr.auckland.ac.nz/handle/123456789/509886
Full metadata record
DC Field | Value | Language |
---|---|---|
dc.creator | Patrick, Martin | - |
dc.date | 2015 | - |
dc.date.accessioned | 2017-06-30T02:51:35Z | - |
dc.date.available | 2017-06-30T02:51:35Z | - |
dc.identifier.uri | http://superindex.lbr.auckland.ac.nz//handle/123456789/509886 | - |
dc.description | 14 colour including: Installation view of 'Billy Apple (R): The Artist Has to Live Like Everybody Else'. | - |
dc.format | physical text | - |
dc.format.medium | Text | - |
dc.format.medium | Image | - |
dc.language | English | - |
dc.publisher | INZART/The University of Auckland Library=Te Tumu Herenga | - |
dc.rights | Copyright restrictions apply | - |
dc.title | Billy Apple: Mercurial consistency | - |
prism.number | 95 | - |
dc.subject.person | Lynton, Norbert | - |
dc.subject.person | Castelli, Leo | - |
dc.subject.person | Curnow, Wystan | - |
dc.subject.person | Barton, Christina | - |
dc.description.notes | Article includes biographical details about the artist and the 1969 artist-run-space in New York called 'Apple'. | - |
dc.description.notes | Artworks discussed but not pictured entitled: | - |
dc.description.notes | Gaseous Discharge Phenomena (1969, Billy Apple) | - |
dc.description.notes | Body Activities, June 1970-June 1973 (1971-73, Billy Apple) | - |
dc.description.notes | A Requested Subtraction, 10 April 1974 (1971-74, Billy Apple) | - |
dc.description.notes | The Immortalization of Billy Apple (R) (2009-, Billy Apple) | - |
dc.identifier.inmagic | 202748 | - |
dc.subject.articletype | Journal | - |
dc.subject.artist | Apple, Billy | - |
dc.subject.artist | Bates, Barrie | - |
dc.subject.artwork | A Requested Subtraction, 10 April 1974 (1971-1974, Billy Apple) | - |
dc.subject.artwork | Billy Apple Bleaching with Lady Clairol Instant Crème Whip, November 1962 (1962, Billy Apple) | - |
dc.subject.artwork | Apple Buttons ([n.d.], Billy Apple) | - |
dc.subject.artwork | Young Contemporaries, 1962 (1961, Billy Apple) | - |
dc.subject.artwork | Addendum to 'Subtraction.' The Given as an Art-Political Statement (1998, Billy Apple) | - |
dc.subject.artwork | Extension of the Given (Stairway Entrance) (1977, Billy Apple) | - |
dc.subject.artwork | Mercury Energy ([n.d.], Billy Apple). From the series 'Paid: The Artist Has to Live Like Everybody Else'. | - |
dc.subject.artwork | Parking Ticket ([n.d.], Billy Apple). From the series 'Paid: The Artist Has to Live Like Everybody Else'. | - |
dc.subject.artwork | European Motors Ltd ([n.d.], Billy Apple). From the series 'Paid: The Artist Has to Live Like Everybody Else'. | - |
dc.subject.artwork | Red Light Police Fine ([n.d.], Billy Apple). From the series 'Paid: The Artist Has to Live Like Everybody Else'. | - |
dc.subject.artwork | I Consent (2009, Billy Apple) | - |
dc.subject.getty | Conceptual | - |
dc.subject.getty | paintings (visual works) | - |
dc.subject.getty | Pop (fine arts styles) | - |
dc.subject.getty | alternative spaces | - |
dc.subject.getty | Fluxus | - |
dc.subject.getty | performance art | - |
dc.subject.getty | documentation (activity) | - |
dc.subject.getty | censorship | - |
dc.subject.getty | identity | - |
dcterms.spatial.venue | Teststrip Gallery (Auckland, N.Z.) | - |
dcterms.spatial.venue | Rm 401 (Auckland, N.Z.) | - |
dcterms.spatial.venue | 23A Gallery (Auckland, N.Z.) | - |
dcterms.spatial.venue | High Street Project (Christchurch, N.Z.) | - |
dcterms.spatial.venue | Ramp Gallery (Waikato Institute of Technology : Hamilton, N.Z.) | - |
dcterms.spatial.venue | Serpentine Gallery | - |
dcterms.spatial.venue | Auckland Art Gallery | - |
prism.publicationname | Art and Asia Pacific | - |
prism.pagerange | 82-91 | - |
dc.subject.exhibition | Billy Apple The Artist Has to Live Like Everybody Else (2015) | - |
prism.issuename | September/October | - |
Appears in Collections: | INZART: Inmagic collection (utf8) |
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