1. University of Auckland SuperIndex 5.3
  2. INZART: Index to New Zealand Art
  3. INZART: Inmagic collection (utf8)
Please use this identifier to cite or link to this item: https://superindex.lbr.auckland.ac.nz/handle/123456789/510424
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DC FieldValueLanguage
dc.creatorCorballis, Tim-
dc.date2015-
dc.date.accessioned2017-06-30T02:52:34Z-
dc.date.available2017-06-30T02:52:34Z-
dc.identifier.urihttp://superindex.lbr.auckland.ac.nz//handle/123456789/510424-
dc.description2 colour-
dc.description2 b/w: portrait Reid family; Bank of New Zealand, Opotiki.-
dc.description.abstract"The debtor is, for my purposes, someone who defers or externalises risk - someone who seeks a kind of freedom without the risks that entails. In what follows, I will relate debt and its hope of riskless freedom to a set of places, practices and forms of visibility. The places include our own: settler colonies, including New Zealand. As for the forms of visibility, I will find them exemplified in the "cutout" paintings of Richard Killeen."-
dc.formatphysical text-
dc.format.mediumText-
dc.format.mediumImage-
dc.languageEnglish-
dc.publisherINZART/The University of Auckland Library=Te Tumu Herenga-
dc.rightsCopyright restrictions apply-
dc.titleColony / Art / Freedom / Debt: The Negation of the Full World-
prism.number7-
dc.identifier.inmagic203191-
dc.subject.articletypeJournal-
dc.subject.artistKilleen, Richard-
dc.subject.artworkStreet Corner (1969, Richard Killeen)-
dc.subject.artworkNatural and Unnatural Selection (1984, Richard Killeen)-
dc.subject.gettypaintings (visual works)-
dc.subject.gettycollage (technique)-
dc.subject.gettycollages (visual works)-
dc.subject.gettymontages (visual works)-
dc.subject.gettyart theory-
dc.subject.gettycurating-
dc.subject.localhistory-
dc.subject.localarchitecture-
prism.publicationnameReading room-
prism.pagerange30-45-
Appears in Collections:INZART: Inmagic collection (utf8)

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