Please use this identifier to cite or link to this item: https://superindex.lbr.auckland.ac.nz/handle/123456789/510425
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DC FieldValueLanguage
dc.creatorBywater, Jonathan-
dc.creatorArps, Dan-
dc.creatorBarber, Simon-
dc.creatorJohannesen, Toril-
dc.creatorO'Reilly, Rachel-
dc.creatorWhaanha-Shollum, Desna-
dc.date2015-
dc.date.accessioned2017-06-30T02:52:35Z-
dc.date.available2017-06-30T02:52:35Z-
dc.identifier.urihttp://superindex.lbr.auckland.ac.nz//handle/123456789/510425-
dc.description5 colour-
dc.description.abstract"As one of the most likely signatories to a defined concept of risk in recent academic work, Ulrich Beck, notes: "It is easy to understand the subtlety of the sociological category ..." As an index of our toleration of change and uncertainty, who or what we might take to constitute a risk could reveal our own interests and investments before anything else. The call for papers for this issue of 'Reading Room' suggested various senses of the term, in part to re-question art's relation to urgent wider realities."-
dc.formatphysical text-
dc.format.mediumText-
dc.format.mediumImage-
dc.languageEnglish-
dc.publisherINZART/The University of Auckland Library=Te Tumu Herenga-
dc.rightsCopyright restrictions apply-
dc.titleMauri and Survivance: A roundtable on art and risk-
prism.number7-
dc.identifier.inmagic203192-
dc.subject.articletypeJournal-
dc.subject.artistArps, Dan-
dc.subject.artistWhaanga-Schollum, Desna-
dc.subject.artistO'Reilly, Rachel-
dc.subject.artworkAPPOCOCYOLLAPSED (2015, Dan Arps)-
dc.subject.artworkChicken Stock (2015, Dan Arps)-
dc.subject.gettyart theory-
dc.subject.gettypolitics-
dc.subject.gettyartists-in-residence-
dc.subject.gettyidentity-
dc.subject.localMāori culture-
dc.subject.localhistory-
dcterms.spatial.venueCity Gallery Wellington-
prism.publicationnameReading room-
prism.pagerange48-69-
dc.subject.exhibitionProspect 2004 : New Art New Zealand-
Appears in Collections:INZART: Inmagic collection (utf8)

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