1. University of Auckland SuperIndex 5.3
  2. INZART: Index to New Zealand Art
  3. INZART: Inmagic collection (utf8)
Please use this identifier to cite or link to this item: https://superindex.lbr.auckland.ac.nz/handle/123456789/510428
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dc.creatorGentles, Tim-
dc.date2015-
dc.date.accessioned2017-06-30T02:52:35Z-
dc.date.available2017-06-30T02:52:35Z-
dc.identifier.urihttp://superindex.lbr.auckland.ac.nz//handle/123456789/510428-
dc.description6 colour-
dc.description.abstract"This essay will explore the ways in which these contemporary practices have reoriented this tension around the twin axes of an internationalising art world and new forms of digital communication technologies."-
dc.description.tableofcontentsPost-Internet Art -- Distance and Immanence in Contemporary New Zealand Art -- Simon Denny -- Personal Best Gallery and PB PR -- Chill Space and Campaign Furniture -- Gloria Knight; Francis Till -- Conclusion: Antipodal Internationalism-
dc.formatphysical text-
dc.format.mediumText-
dc.format.mediumImage-
dc.languageEnglish-
dc.publisherINZART/The University of Auckland Library=Te Tumu Herenga-
dc.rightsCopyright restrictions apply-
dc.titleBetween Here and Nowhere: A Survey of Post-Internet Practices among New Zealand artists-
prism.number7-
dc.subject.personPound, Francis-
dc.subject.personConland Natasha-
dc.subject.personDempsey, Morag-
dc.subject.personDavidson, Henry-
dc.subject.organisationElam School of Fine Arts (University of Auckland)-
dc.description.notesArtwork discussed but not pictured entitled: Big Fresh Paris (2013, Jack Hadley)-
dc.identifier.inmagic203195-
dc.subject.articletypeJournal-
dc.subject.artistDenny, Simon-
dc.subject.artistKing, Daif-
dc.subject.artistBannan, Sophie-
dc.subject.artistClement, Ben-
dc.subject.artistRaymond, Ashlin-
dc.subject.artistBallinger, Ryan-
dc.subject.artistHenry, Tom-
dc.subject.artistLomas, Julia-
dc.subject.artistGranger, Zhoe-
dc.subject.artistMahoney, Claire-
dc.subject.artistEnberg, Oscar-
dc.subject.artistHadley, Jack-
dc.subject.artistCarpenter, Juliet-
dc.subject.artistPopovic, Biljana-
dc.subject.artistSongsataya, Sorawit-
dc.subject.artistTill, Francis-
dc.subject.artistBabbage, Henry-
dc.subject.artistDavidson, Henry-
dc.subject.artworkThe Personal Effects of Kim Dotcom (2013, Simon Denny)-
dc.subject.artworkB E I N G S P A C E S (2011, Julia Lomas)-
dc.subject.artwork100% Pure You (2013, PBPR). Still-
dc.subject.artworkVases I, II (2014, Sorawit Songsataya)-
dc.subject.artworkSocial Study (2013, Francis Till). Installation shot-
dc.subject.gettyInternet-
dc.subject.gettyart theory-
dc.subject.gettyart history-
dc.subject.gettycurating-
dc.subject.gettycurators-
dc.subject.gettydesign (discipline)-
dc.subject.gettyalternative spaces-
dc.subject.gettyvideo art-
dc.subject.gettyinstallations (visual works)-
dcterms.spatial.venueAuckland Art Gallery-
dcterms.spatial.venueBlue Oyster (Dunedin, N.Z.)-
dcterms.spatial.venuePersonal Best (Auckland, N.Z.)-
dcterms.spatial.venueDog Park Art Project Space-
dcterms.spatial.venueDunedin Public Art Gallery-
dcterms.spatial.venueGloria Knight (Auckland, N.Z.)-
dcterms.spatial.venueWindow (University of Auckland)-
prism.publicationnameReading room-
prism.pagerange110-125-
dc.subject.exhibitionChill Spree (2013)-
dc.subject.exhibitionWalters Prize-
dc.subject.exhibitionVenice Biennale of Art 2015-
dc.subject.exhibitionAll You Need Is Data: The DLD 2012 Conference Redux (2014)-
dc.subject.exhibitionCorporate Video Decisions (2011)-
dc.subject.exhibitionChannel Document (2012)-
dc.subject.exhibitionThe Personal Effects of Kim Dotcom (2013)-
dc.subject.exhibitionBrand New Value (2011)-
dc.subject.exhibitionBYO USB-
dc.subject.exhibition100% Pure You (2013)-
Appears in Collections:INZART: Inmagic collection (utf8)

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