Please use this identifier to cite or link to this item:
https://superindex.lbr.auckland.ac.nz/handle/123456789/510438
Full metadata record
DC Field | Value | Language |
---|---|---|
dc.creator | Randall, Brooke | - |
dc.date | 2015 | - |
dc.date.accessioned | 2017-06-30T02:52:40Z | - |
dc.date.available | 2017-06-30T02:52:40Z | - |
dc.identifier.uri | http://superindex.lbr.auckland.ac.nz//handle/123456789/510438 | - |
dc.description | 4 colour | - |
dc.description.abstract | "...the emergence of cheap, accessible technology has provided artists with the means and material to produce challenging and innovative artwork. Artwork that not only comments on the historical time and place in which it was made but challenges our preconceived notions of what is and is not art. Auckland Art Gallery cares for close to 300 time-based artworks. Although artworks are evenly distributed across production year, the acquisition of time-based art continues to grow." | - |
dc.description.tableofcontents | Introduction -- Inherent vice -- Physical and chemical degradation -- Technological obsolescence -- Misrepresentation -- Mitigation -- Condition report -- Artist interview -- Iteration report -- Treatment -- Repair -- Replace -- Emulate -- Final considerations -- Conclusion | - |
dc.format | physical text | - |
dc.format.medium | Text | - |
dc.format.medium | Image | - |
dc.language | English | - |
dc.publisher | INZART/The University of Auckland Library=Te Tumu Herenga | - |
dc.rights | Copyright restrictions apply | - |
dc.title | Nothing is as far away as one minute ago: The conversation of time-based art at Auckland Art Gallery Toi o Tamaki | - |
prism.number | 7 | - |
dc.subject.organisation | Chartwell Trust | - |
dc.identifier.inmagic | 203205 | - |
dc.subject.articletype | Journal | - |
dc.subject.artist | Ingram, Simon | - |
dc.subject.artist | Stevenson, Michael | - |
dc.subject.artist | Kesminas, Danius | - |
dc.subject.artist | Mitchell, Dane | - |
dc.subject.artwork | Frictionless Painting (Social Colour) (2003, Simon Ingram) | - |
dc.subject.artwork | Frictionless Painting (Social Colour) (2003, Simon Ingram). Detail | - |
dc.subject.artwork | Gallery Mantra (2003, Dane Mitchell) | - |
dc.subject.artwork | Slave Pianos (of the Art Cult) (1998-99, Michael Stevenson and Danius Kesminas) | - |
dc.subject.getty | collections (object groupings) | - |
dc.subject.getty | art galleries (institutions) | - |
dc.subject.getty | time-based works | - |
dc.subject.local | conservation | - |
dcterms.spatial.venue | Auckland Art Gallery | - |
prism.publicationname | Reading room | - |
prism.pagerange | 170-175 | - |
Appears in Collections: | INZART: Inmagic collection (utf8) |
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