Please use this identifier to cite or link to this item: https://superindex.lbr.auckland.ac.nz/handle/123456789/510508
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DC FieldValueLanguage
dc.creatorNuku, Maia-
dc.date2015-
dc.date.accessioned2017-06-30T02:52:45Z-
dc.date.available2017-06-30T02:52:45Z-
dc.identifier.urihttp://superindex.lbr.auckland.ac.nz//handle/123456789/510508-
dc.description1 b/w: full page-
dc.description1 b/w-
dc.formatphysical text-
dc.format.mediumText-
dc.format.mediumImage-
dc.languageEnglish-
dc.publisherINZART/The University of Auckland Library=Te Tumu Herenga-
dc.rightsCopyright restrictions apply-
dc.titleStanding on the edge of the abyss: Shigeyuki Kihara, catalyst for change-
prism.volume44-
prism.number3-
dc.description.notesArticle discusses Kihara's series entitled 'Where do we come from? What are we? Where are we going?' (2013)-
dc.description.notesartwork discussed but not pictured entitled: Fa'a fafine: In the Manner of a Woman (2004-05, Shigeyyuki Kihara).-
dc.identifier.inmagic203275-
dc.subject.articletypeJournal-
dc.subject.artistKihara, Shigeyuki-
dc.subject.artworkAgelu I Tausi Catholic Church After Cyclone Evan, Mulivai Safata (2013, Shigeyuki Kihara)-
dc.subject.artworkl'Univers est cree (The Universe is Created) ([n.d.], Paul Gauguin)-
dc.subject.gettyphotography-
dc.subject.localPacific culture-
dc.subject.localSamoan art and culture-
dc.subject.localhistory-
prism.publicationnameBroadsheet / Contemporary Art Centre of Australia, S.A.-
prism.pagerange10-11,14-
prism.issuenameSummer-
Appears in Collections:INZART: Inmagic collection (utf8)

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