Please use this identifier to cite or link to this item:
https://superindex.lbr.auckland.ac.nz/handle/123456789/511507
Full metadata record
DC Field | Value | Language |
---|---|---|
dc.creator | Suzuki, Laura | - |
dc.date | 2016 | - |
dc.date.accessioned | 2017-06-30T02:54:36Z | - |
dc.date.available | 2017-06-30T02:54:36Z | - |
dc.identifier.uri | http://superindex.lbr.auckland.ac.nz//handle/123456789/511507 | - |
dc.description | 3 colour including portrait: Thompson and exhibition installation. | - |
dc.description | 2 b/w | - |
dc.description.tableofcontents | "Luke Willis Thompson believes an artwork's ethical function should still be difficult even if you know everything about it. This is certainly the case for his transgressive exhibition at Hopkinson Mossman, which embodies post-slavery relations in sugar islands and cities. Laura Suzuki talks to the artist." | - |
dc.format | physical text | - |
dc.format.medium | Text | - |
dc.format.medium | Image | - |
dc.language | English | - |
dc.publisher | INZART/The University of Auckland Library=Te Tumu Herenga | - |
dc.rights | Copyright restrictions apply | - |
dc.title | The bitter politics of sugar | - |
prism.volume | 36 | - |
prism.number | 1 | - |
dc.subject.person | Nyong'o, Tavia | - |
dc.subject.person | Ngcobo, Gabi | - |
dc.description.notes | Artwork discussed but not pictured entitled: inthisholeonthisislandwhereiam (2012, Luke Willis Thompson); and Eventually they introduced me to the people who would take me out anyway (2015, Luke Willis Thompson. | - |
dc.description.notes | Article discusses Thompson's research process toward the project titled 'Sucu Mate', including a dialogue with the Fiji Museum. | - |
dc.identifier.inmagic | 204183 | - |
dc.subject.articletype | Journal | - |
dc.subject.artist | Thompson, Luke Willis | - |
dc.subject.artist | Amundsen, Fiona | - |
dc.subject.artwork | Sucu Mate (2012, Luke Willis Thompson). Detail | - |
dc.subject.artwork | Untitled (2015, Luck Willis Thompson with Fiona Amundsen) | - |
dc.subject.getty | Conceptual | - |
dc.subject.getty | photography | - |
dc.subject.getty | colonialism | - |
dc.subject.local | history | - |
dc.subject.local | Fijian art and culture | - |
dcterms.spatial.venue | Hopkinson Mossman (Auckland, N.Z.) | - |
dcterms.spatial.venue | Auckland Art Gallery | - |
dcterms.spatial.venue | New Museum (New York) | - |
prism.publicationname | Art news (Auckland, N.Z.) | - |
prism.pagerange | 70-73 | - |
dc.subject.exhibition | Walters Prize 2014 | - |
dc.subject.exhibition | Sucu Mate/Born Dead (2016) | - |
dc.subject.exhibition | Asia-Pacific Triennial of Contemporary Art (8th : 2015) | - |
dc.subject.exhibition | Surround Audience (2015) | - |
prism.issuename | Autumn | - |
Appears in Collections: | INZART: Inmagic collection (utf8) |
Files in This Item:
There are no files associated with this item.
Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.