Please use this identifier to cite or link to this item:
https://superindex.lbr.auckland.ac.nz/handle/123456789/511518
Full metadata record
DC Field | Value | Language |
---|---|---|
dc.creator | Hammonds, Lucy | - |
dc.date | 2016 | - |
dc.date.accessioned | 2017-06-30T02:54:37Z | - |
dc.date.available | 2017-06-30T02:54:37Z | - |
dc.identifier.uri | http://superindex.lbr.auckland.ac.nz//handle/123456789/511518 | - |
dc.description | 2 colour including portrait: Davis | - |
dc.description.abstract | "Internationally acclaimed artist Kate Davis explores the value systems placed on labour from a feminist perspective. Lucy Hammonds spoke to Davis during her residency at Dunedin Public Art Gallery." | - |
dc.format | physical text | - |
dc.format.medium | Text | - |
dc.language | English | - |
dc.publisher | INZART/The University of Auckland Library=Te Tumu Herenga | - |
dc.rights | Copyright restrictions apply | - |
dc.title | Reconsidering gender, labour and value | - |
dc.type | Profile | - |
prism.volume | 36 | - |
prism.number | 1 | - |
dc.subject.person | Waring, Marilyn | - |
dc.description.notes | Artworks discussed but not pictured entitled: Weight (2014, Kate Davis); Stand Series (2012, Fiona Connor); Christine in the Pantry (1973, Jacqueline Fahey); Task (1982, Joanna Margaret Paul); Waiting in 1972; What about 2007? (2007, Kate Davis); Your Body is a Battleground Still (2007, Kate Davis) | - |
dc.description.notes | Article discusses Davis' series entitled: The Unswept Floor; Reversibility (2011); and Curtain I-VII (2011). | - |
dc.identifier.inmagic | 204194 | - |
dc.subject.articletype | Journal | - |
dc.subject.artist | Davis, Kate | - |
dc.subject.artist | Connor, Fiona | - |
dc.subject.artist | Fahey, Jacqueline | - |
dc.subject.artist | Paul, Joanna Margaret | - |
dc.subject.artwork | Curtain II (2011, Kate Davis) | - |
dc.subject.artwork | Disgrace (I) (2009, Kate Davis) | - |
dc.subject.artwork | Reversibility (It is the body and Excised) (2011, Kate Davis). Exhibition view | - |
dc.subject.artwork | The Unswept Floor (2016, Kate Davis) | - |
dc.subject.getty | feminism | - |
dc.subject.getty | identity | - |
dc.subject.getty | collections (object groupings) | - |
dc.subject.getty | motion pictures (visual works) | - |
dc.subject.getty | printmaking | - |
dc.subject.getty | prints (visual works) | - |
dc.subject.getty | drawings (visual works) | - |
dc.subject.getty | photography | - |
dcterms.spatial.venue | Dunedin Public Art Gallery | - |
dcterms.spatial.venue | Tate Britain (Gallery) | - |
dcterms.spatial.venue | Gallery of Modern Art - GOMA (Glasgow, Scotland) | - |
prism.publicationname | Art news (Auckland, N.Z.) | - |
prism.pagerange | 104-107 | - |
dc.subject.exhibition | The Unswept Floor (2016) | - |
dc.subject.exhibition | Art Basel (2007) | - |
dc.subject.exhibition | Art Now | - |
prism.issuename | Autumn | - |
Appears in Collections: | INZART: Inmagic collection (utf8) |
Files in This Item:
There are no files associated with this item.
Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.