Please use this identifier to cite or link to this item:
https://superindex.lbr.auckland.ac.nz/handle/123456789/511557
Full metadata record
DC Field | Value | Language |
---|---|---|
dc.creator | Mitchell, Dane | - |
dc.date | 2016 | - |
dc.date.accessioned | 2017-06-30T02:54:45Z | - |
dc.date.available | 2017-06-30T02:54:45Z | - |
dc.identifier.uri | http://superindex.lbr.auckland.ac.nz//handle/123456789/511557 | - |
dc.description | 1 colour illustration by Barlo. | - |
dc.format | physical text | - |
dc.format.medium | Text | - |
dc.format.medium | Image | - |
dc.language | English | - |
dc.publisher | INZART/The University of Auckland Library=Te Tumu Herenga | - |
dc.rights | Copyright restrictions apply | - |
dc.title | The Point: Remote connections | - |
prism.number | 97 | - |
dc.description.notes | Article discusses the low prominence of New Zealand artists in an international context especially at the curated sections of the Venice Biennale and Documenta of Kassel, Germany. | - |
dc.identifier.inmagic | 204233 | - |
dc.subject.articletype | Journal | - |
dc.subject.artist | Mitchell, Dane | - |
dc.subject.artist | Denny, Simon | - |
dc.subject.getty | Internet | - |
dc.subject.getty | curating | - |
prism.publicationname | Art and Asia Pacific | - |
prism.pagerange | 53 | - |
dc.subject.exhibition | Venice Biennale of Art | - |
dc.subject.exhibition | Documenta | - |
prism.issuename | March/April | - |
Appears in Collections: | INZART: Inmagic collection (utf8) |
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