Please use this identifier to cite or link to this item: https://superindex.lbr.auckland.ac.nz/handle/123456789/511557
Full metadata record
DC FieldValueLanguage
dc.creatorMitchell, Dane-
dc.date2016-
dc.date.accessioned2017-06-30T02:54:45Z-
dc.date.available2017-06-30T02:54:45Z-
dc.identifier.urihttp://superindex.lbr.auckland.ac.nz//handle/123456789/511557-
dc.description1 colour illustration by Barlo.-
dc.formatphysical text-
dc.format.mediumText-
dc.format.mediumImage-
dc.languageEnglish-
dc.publisherINZART/The University of Auckland Library=Te Tumu Herenga-
dc.rightsCopyright restrictions apply-
dc.titleThe Point: Remote connections-
prism.number97-
dc.description.notesArticle discusses the low prominence of New Zealand artists in an international context especially at the curated sections of the Venice Biennale and Documenta of Kassel, Germany.-
dc.identifier.inmagic204233-
dc.subject.articletypeJournal-
dc.subject.artistMitchell, Dane-
dc.subject.artistDenny, Simon-
dc.subject.gettyInternet-
dc.subject.gettycurating-
prism.publicationnameArt and Asia Pacific-
prism.pagerange53-
dc.subject.exhibitionVenice Biennale of Art-
dc.subject.exhibitionDocumenta-
prism.issuenameMarch/April-
Appears in Collections:INZART: Inmagic collection (utf8)

Files in This Item:
There are no files associated with this item.


Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.