Please use this identifier to cite or link to this item: https://superindex.lbr.auckland.ac.nz/handle/123456789/511624
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DC FieldValueLanguage
dc.creatorBanbury, Grant-
dc.date2016-
dc.date.accessioned2017-06-30T02:54:48Z-
dc.date.available2017-06-30T02:54:48Z-
dc.identifier.urihttp://superindex.lbr.auckland.ac.nz//handle/123456789/511624-
dc.description5 colour-
dc.description1 b/w portrait: Stevens.-
dc.description.abstract"Meticulously executed, Stevens' oeuvre falls into two categories. The first consists of straightforward paintings of abandoned buildings and empty landscapes, often in delicate acrylic washes, that speak of rural isolation, a similar approach to that of Grahame Sydney. Yet, undoubtedly, her strength and originality lie in her haunting, faceted abstracts. Serene and silent images of tunnels, corridors, and imagined spaces, mostly devoid of inhabitants but imbued with an eternal glow."-
dc.formatphysical text-
dc.format.mediumText-
dc.format.mediumImage-
dc.languageEnglish-
dc.publisherINZART/The University of Auckland Library=Te Tumu Herenga-
dc.rightsCopyright restrictions apply-
dc.titleOff Centre: Paintings by Elizabeth Stevens (1923-2008)-
dc.typeProfile-
prism.number157-
dc.subject.personDocking, Gil-
dc.subject.personHanfling, Edward-
dc.subject.personDunn, Michael-
dc.subject.personTyler, Linda-
dc.subject.personEdgar, Charlton-
dc.subject.personTovey, Gordon-
dc.subject.personKempthorne, Liz-
dc.subject.organisationDunedin School of Art-
dc.description.notesArtworks discussed but not pictured entitled: Matagouri (c.1967, Elizabeth Stevens); Woolshed (1967, Elizabeth Stevens); Signs and Messages (1981, Elizabeth Stevens); White Iris (1988, Elizabeth Stevens); And The Fire And The Rose Are One (1976, Elizabeth Stevens).-
dc.identifier.inmagic204300-
dc.subject.articletypeJournal-
dc.subject.artistStevens, Elizabeth-
dc.subject.artistSydney, Grahame-
dc.subject.artistLusk, Doris-
dc.subject.artistMcFarlane, Shona-
dc.subject.artistSimmonds, Freda-
dc.subject.artistOlds, Paul-
dc.subject.artworkStill Point (1967, Elizabeth Stevens)-
dc.subject.artworkSurveyor 1 (1968, Elizabeth Stevens)-
dc.subject.artworkManiototo, Midsummer (1972, Elizabeth Stevens)-
dc.subject.artworkWhite Rose (c. 1976, Elizabeth Stevens)-
dc.subject.artworkA Window for Marjorie (1977-79, Elizabeth Stevens)-
dc.subject.gettypainting (image-making)-
dc.subject.gettypaintings (visual works)-
dc.subject.gettylandscapes (representations)-
dc.subject.gettyAbstract (fine arts style)-
dcterms.spatial.venueNational Art Gallery (Wellington, N.Z.)-
dcterms.spatial.venueMuseum of New Zealand Te Papa Tongarewa (Wellington, N.Z.)-
dcterms.spatial.venueDunedin Public Library-
dcterms.spatial.venueNew Zealand Academy of Fine Arts (Wellington, N.Z.)-
dcterms.spatial.venueBett-Duncan Studio Gallery (Wellington, N.Z.)-
dcterms.spatial.venueRobert McDougall Art Gallery (Christchurch, N.Z.)-
dcterms.spatial.venueDunedin Public Art Gallery-
dcterms.spatial.venueAigantighe Art Gallery (Timaru, N.Z.)-
dcterms.spatial.venueEastern Southland Art Gallery (Gore, N.Z.)-
prism.publicationnameArt New Zealand-
prism.pagerange96-99, 105-
dc.subject.exhibitionWhite camellias : a century of art making by Canterbury women (1993)-
dc.subject.exhibitionWomen on women: art in Dunedin since 1893 (1993)-
dc.subject.exhibitionOff centre-
dc.subject.exhibitionElizabeth Stevens: A survey (1997)-
prism.issuenameAutumn-
Appears in Collections:INZART: Inmagic collection (utf8)

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