Please use this identifier to cite or link to this item:
https://superindex.lbr.auckland.ac.nz/handle/123456789/511985
Full metadata record
DC Field | Value | Language |
---|---|---|
dc.creator | Davis, Sophie | - |
dc.date | 2016 | - |
dc.date.accessioned | 2017-06-30T02:55:31Z | - |
dc.date.available | 2017-06-30T02:55:31Z | - |
dc.identifier.uri | http://superindex.lbr.auckland.ac.nz//handle/123456789/511985 | - |
dc.description | 5 colour | - |
dc.description.abstract | "Under her [Paula Orrell's] direction, the first exhibition promises 'precariously balanced objects and architectural references, giving a sense of playfullness', while also causing us to reflect on 'global issues of social and political inequality'." | - |
dc.format | physical text | - |
dc.format.medium | Text | - |
dc.format.medium | Image | - |
dc.language | English | - |
dc.publisher | INZART/The University of Auckland Library=Te Tumu Herenga | - |
dc.rights | Copyright restrictions apply | - |
dc.title | CoCA Reopens | - |
dc.type | Exhibition Review | - |
prism.number | 158 | - |
dc.subject.person | Orrell, Paula | - |
dc.subject.organisation | Canterbury Society of Arts | - |
dc.description.notes | Artwork discussed but not pictured entitled: Untitled (2011, John Ward Knox); Big Bull Market (2016, Rob Hood); Organisation of Love ([n.d.], Erwin Wurm) from the 'One Minute Sculpture' series; Highwire (2008, Catherine Yass); and Foreigners Everywhere (2013, Claire Fontaine). | - |
dc.identifier.inmagic | 204667 | - |
dc.subject.articletype | Journal | - |
dc.subject.artist | Bannan, Sophie | - |
dc.subject.artist | Calderwood, Matt | - |
dc.subject.artist | Faletau, Sione | - |
dc.subject.artist | Fontaine, Claire | - |
dc.subject.artist | Gentry, Regan | - |
dc.subject.artist | Gladwell, Shaun | - |
dc.subject.artist | Hood, Robert | - |
dc.subject.artist | Ward Knox, John | - |
dc.subject.artist | Langford, Joanna | - |
dc.subject.artist | Maloy, Richard | - |
dc.subject.artist | Swanson, Zina | - |
dc.subject.artist | Yass, Catherine | - |
dc.subject.artist | Trevelyan, Peter | - |
dc.subject.artist | Reynolds, Abigail | - |
dc.subject.artist | Wurm, Erwin | - |
dc.subject.artwork | Untitled (2016, Matt Calderwood) | - |
dc.subject.artwork | Ha'amonga 'a Maui (2015, Sione Faletau). Video still | - |
dc.subject.artwork | Circularism (2016, Peter Trevelyan) | - |
dc.subject.artwork | Calling the Deep (2015, Joanna Langford) | - |
dc.subject.artwork | Something In Waiting (2016, Zina Swanson) | - |
dc.subject.getty | art galleries (institutions) | - |
dc.subject.getty | restoration (process) | - |
dc.subject.getty | funding | - |
dc.subject.getty | sculpture (visual works) | - |
dc.subject.getty | video art | - |
dc.subject.getty | installations (visual works) | - |
dc.subject.local | architecture | - |
dcterms.spatial.venue | Centre of Contemporary Art - CoCA (Christchurch, N.Z.) | - |
prism.publicationname | Art New Zealand | - |
prism.pagerange | 90-93 | - |
dc.subject.exhibition | Precarious Balance (2016) | - |
prism.issuename | Winter | - |
Appears in Collections: | INZART: Inmagic collection (utf8) |
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