1. University of Auckland SuperIndex 5.3
  2. INZART: Index to New Zealand Art
  3. INZART: Inmagic collection (utf8)
Please use this identifier to cite or link to this item: https://superindex.lbr.auckland.ac.nz/handle/123456789/513095
Full metadata record
DC FieldValueLanguage
dc.creatorPohio, Nathan-
dc.date2016-
dc.date.accessioned2017-06-30T02:57:33Z-
dc.date.available2017-06-30T02:57:33Z-
dc.identifier.urihttp://superindex.lbr.auckland.ac.nz//handle/123456789/513095-
dc.description1 colour-
dc.description.abstract"To Maori, the colour black represents Te Korekore - the realm of potential being, energy, the void, and nothingness. The notion of p[potential and the presence of women are what I see when I peek at Fiona Pardington's 1997 work 'Moko'. And I say peek deliberately, because I an being mindful of this work - it is downright spooky. 'Moko' is a photographic rendering of a seeping water stain upon the blackboard in Pardington's studio, taken while she was the recipient of the Frances Hodgkins Fellowship in Dunedin in 1997."-
dc.formatphysical text-
dc.format.mediumText-
dc.format.mediumImage-
dc.languageEnglish-
dc.publisherINZART/The University of Auckland Library=Te Tumu Herenga-
dc.rightsCopyright restrictions apply-
dc.titleThe camera as a place of potential-
dc.typeArticle about an Artwork-
prism.number185-
dc.identifier.inmagic205487-
dc.subject.articletypeJournal-
dc.subject.artistPardington, Fiona-
dc.subject.artworkMoko (1997, Fiona Pardington)-
dc.subject.gettyphotography-
prism.publicationnameBulletin / Robert McDougall Art Gallery-
prism.pagerange42-45-
prism.issuenameSpring-
Appears in Collections:INZART: Inmagic collection (utf8)

Files in This Item:
There are no files associated with this item.
Show simple item record


Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.