1. University of Auckland SuperIndex 5.3
  2. INZART: Index to New Zealand Art
  3. INZART: Inmagic collection (utf8)
Please use this identifier to cite or link to this item: https://superindex.lbr.auckland.ac.nz/handle/123456789/513258
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DC FieldValueLanguage
dc.creatorShand, Peter-
dc.date1999-
dc.date.accessioned2017-06-30T02:57:53Z-
dc.date.available2017-06-30T02:57:53Z-
dc.identifier.urihttp://superindex.lbr.auckland.ac.nz//handle/123456789/513258-
dc.description2 colour. Includes installation shot of 'My Name is Penelope'.-
dc.description1 b/w-
dc.description.abstractSpeaks to recent works by Judy Millar, discussing the position of abstraction and painting in relation to propositions posed by Yve-Alain Bois, Paul Delaroche and Ad Reinhart and the relevance of painting in a contemporary context. The author also recounts examples of 'damage' or alterations to artworks by audiences.-
dc.formatphysical text-
dc.format.mediumText-
dc.format.mediumImage-
dc.languageEnglish-
dc.publisherINZART/The University of Auckland Library=Te Tumu Herenga-
dc.rightsCopyright restrictions apply-
dc.titleIf I were Penelope-
prism.number91-
dc.description.notesArticle refers to Judy Millar's installation at the 1998 Asia Pacific Triennial of Contemporary Art Brisbane.-
dc.identifier.inmagic205652-
dc.subject.articletypeJournal-
dc.subject.artistMillar, Judy-
dc.subject.artworkInstallation (1993, Judy Millar)-
dc.subject.artworkStrip (1996, Judy Millar)-
dc.subject.gettypaintings (visual works)-
dc.subject.gettypainting (image-making)-
dc.subject.gettyAbstract (fine arts style)-
dc.subject.gettyinstallations (visual works)-
prism.publicationnameArt New Zealand-
prism.pagerange60-63, 87-
dc.subject.exhibitionAsia-Pacific Triennial of Contemporary Art (2nd : 1996)-
prism.issuenameWinter-
Appears in Collections:INZART: Inmagic collection (utf8)

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