Please use this identifier to cite or link to this item:
https://superindex.lbr.auckland.ac.nz/handle/123456789/513863
Full metadata record
DC Field | Value | Language |
---|---|---|
dc.creator | Strongman, Lara | - |
dc.creator | Dyer, Nina | - |
dc.creator | Tappenden, Alice | - |
dc.creator | Lekamge, Dilohana | - |
dc.creator | Low, Nic | - |
dc.creator | Wagstaff, Taylor | - |
dc.creator | Tonga, Nina | - |
dc.creator | Palenski, Simon | - |
dc.creator | Hope, James | - |
dc.creator | Sigglekow, Zara | - |
dc.date | 2016-2017 | - |
dc.date.accessioned | 2017-06-30T02:59:01Z | - |
dc.date.available | 2017-06-30T02:59:01Z | - |
dc.identifier.uri | http://superindex.lbr.auckland.ac.nz//handle/123456789/513863 | - |
dc.description | 8 colour | - |
dc.description | 1 b/w | - |
dc.description.abstract | "Te Puna o Waiwhetu Christchurch Art Gallery has a longstanding tradition of curating exhibitions of emerging and early-career artists. We do this in order to contribute to the ecology of the local art world, as well as because - quite straightforwardly - we're interested in the practices of artists at all stages of their careers, and would like to bring the work of outstanding younger artists to wider public attention. 'The Devil's Blind Spot' is the latest in this ongoing series, but unlike earlier exhibitions, it's concerned with a single medium - photography." | - |
dc.format | physical text | - |
dc.format.medium | Text | - |
dc.format.medium | Image | - |
dc.language | English | - |
dc.publisher | INZART/The University of Auckland Library=Te Tumu Herenga | - |
dc.rights | Copyright restrictions apply | - |
dc.title | The Devil's Blind Spot: Recent Strategies in New Zealand Photography | - |
dc.type | Exhibition Description | - |
dc.type | Article about an Artwork | - |
prism.number | 186 | - |
dc.description.notes | Introduction by Lara Strongman is followed by texts on each artist by nine different authors, accompanied by a full-page illustration. | - |
dc.description.notes | Discusses Jordana Bragg's ten part photographic series entitled 'Days Since and Again (So Soon)' (2016); and bodies of works entitled 'Grills' (2012-2014) and 'Fakaetangata' (2014-2016) by Ane Tonga. | - |
dc.identifier.inmagic | 206161 | - |
dc.subject.articletype | Journal | - |
dc.subject.artist | Beck, Andrew | - |
dc.subject.artist | Best, Holly | - |
dc.subject.artist | Bragg, Jordana | - |
dc.subject.artist | Clarke, Conor | - |
dc.subject.artist | Mortimer, Solomon | - |
dc.subject.artist | Tonga, Ane | - |
dc.subject.artist | Waugh, Shaun | - |
dc.subject.artist | Weston, Rainer | - |
dc.subject.artist | Corson-Scott, Chris | - |
dc.subject.artwork | Red Cutting through Black (2016, Andrew Beck) | - |
dc.subject.artwork | Nor'west Disappointment (2016, Holly Best) | - |
dc.subject.artwork | What do you fight for? (2016, Jordana Bragg) | - |
dc.subject.artwork | Twin Peaks, Berlin (2014, Conor Clarke) | - |
dc.subject.artwork | Donavon Pinkerton #1 (2013, Solomon Mortimer) | - |
dc.subject.artwork | Hoha'a (2013, Ane Tonga) | - |
dc.subject.artwork | Drop Shadow, Bluish Green (2016, Shaun Waugh) | - |
dc.subject.artwork | Tweening #304 (2016, Rainer Weston) | - |
dc.subject.artwork | Winter Morning, Remains of the S.S. Lawrence, Mokihinui (2016, Chris Corson-Scott) | - |
dc.subject.getty | photography | - |
dc.subject.getty | identity | - |
dc.subject.getty | landscapes (representations) | - |
dc.subject.getty | self-portraits | - |
dc.subject.local | words in art | - |
dc.subject.local | Tongan art and culture | - |
dc.subject.local | digital art | - |
dcterms.spatial.venue | Christchurch Art Gallery | - |
prism.publicationname | Bulletin / Christchurch Art Gallery | - |
prism.pagerange | 16-34 | - |
dc.subject.exhibition | The Devil's Blind Spot: Recent Strategies in New Zealand Photography (2016-2017) | - |
dc.subject.iwi | Kāi Tahu | - |
prism.issuename | Summer | - |
Appears in Collections: | INZART: Inmagic collection (utf8) |
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