Please use this identifier to cite or link to this item:
https://superindex.lbr.auckland.ac.nz/handle/123456789/528669
Full metadata record
DC Field | Value | Language |
---|---|---|
dc.date | 12 Mar, 2003 | - |
dc.date.accessioned | 2017-06-30T03:26:48Z | - |
dc.date.available | 2017-06-30T03:26:48Z | - |
dc.identifier.uri | http://superindex.lbr.auckland.ac.nz//handle/123456789/528669 | - |
dc.format | physical text | - |
dc.language | English | - |
dc.publisher | INZART/The University of Auckland Library=Te Tumu Herenga | - |
dc.relation.ispartof | NZ Art Press Clippings Index | - |
dc.rights | Copyright restrictions apply | - |
dc.source | 2003_0277 | - |
dc.subject.other | Painting | - |
dc.subject.other | Cultural appropriation | - |
dc.title | 'Instantly appealing' exhibition | - |
dc.type | Exhibition Review | - |
dcterms.spatial | Hastings | - |
dc.description.notes | Exhibition review of paintings by Jane Reynolds of the Hawke's Bay and Africa. Review asks whether Reynolds is aware of the potential political implication in approrpiating images of peoples from other cultures in her African works. | - |
dc.identifier.inmagic | 32963 | - |
dc.subject.articletype | Cutting | - |
dc.subject.artist | Reynolds, Jane | - |
dcterms.spatial.venue | Hastings Community Arts Centre | - |
prism.publicationname | Hawke's Bay today | - |
prism.pagerange | 17 | - |
dc.subject.exhibition | Two Sides to It (2003) | - |
Appears in Collections: | INZART: Inmagic collection (utf8) |
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