Please use this identifier to cite or link to this item: https://superindex.lbr.auckland.ac.nz/handle/123456789/535759
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DC FieldValueLanguage
dc.creatorReid, Graham-
dc.date16 Nov, 2005-
dc.date.accessioned2017-06-30T03:40:12Z-
dc.date.available2017-06-30T03:40:12Z-
dc.identifier.urihttp://superindex.lbr.auckland.ac.nz//handle/123456789/535759-
dc.description1 b/w: installation view of The Fundamental Practice at Venice-
dc.formatphysical text-
dc.languageEnglish-
dc.publisherINZART/The University of Auckland Library=Te Tumu Herenga-
dc.relation.ispartofNZ Art Press Clippings Index-
dc.rightsCopyright restrictions apply-
dc.source2005_3048-
dc.subject.otherArts funding-
dc.subject.otherOverseas Exhibiting-
dc.titleA disconcerting time in Venice: The Biennale which included a work by the New Zealand collective et al has just wrapped up-
dc.typeExhibition Review-
dc.subject.organisationCreative New Zealand-
dcterms.spatialVenice-
dc.description.notesAnalysis of New Zealand's success at the Venice Biennale-
dc.identifier.inmagic39465-
dc.subject.articletypeCutting-
dc.subject.artistet al.-
dc.subject.artistTweedie, Merylyn-
dc.subject.artistBiggs, Peter-
dc.subject.artistStorr, Robert-
dc.subject.artistBurke, Gregory-
dc.subject.artistFraser, Jacqueline-
dc.subject.artistStevenson, Michael-
dc.subject.artworkFundamental Practice [2005] Merylyn Tweedie-
prism.publicationnameNew Zealand herald-
prism.pagerangeWorld 5-
dc.subject.exhibitionVenice Biennale of Art 2005-
Appears in Collections:INZART: Inmagic collection (utf8)

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