Please use this identifier to cite or link to this item:
https://superindex.lbr.auckland.ac.nz/handle/123456789/535759
Full metadata record
DC Field | Value | Language |
---|---|---|
dc.creator | Reid, Graham | - |
dc.date | 16 Nov, 2005 | - |
dc.date.accessioned | 2017-06-30T03:40:12Z | - |
dc.date.available | 2017-06-30T03:40:12Z | - |
dc.identifier.uri | http://superindex.lbr.auckland.ac.nz//handle/123456789/535759 | - |
dc.description | 1 b/w: installation view of The Fundamental Practice at Venice | - |
dc.format | physical text | - |
dc.language | English | - |
dc.publisher | INZART/The University of Auckland Library=Te Tumu Herenga | - |
dc.relation.ispartof | NZ Art Press Clippings Index | - |
dc.rights | Copyright restrictions apply | - |
dc.source | 2005_3048 | - |
dc.subject.other | Arts funding | - |
dc.subject.other | Overseas Exhibiting | - |
dc.title | A disconcerting time in Venice: The Biennale which included a work by the New Zealand collective et al has just wrapped up | - |
dc.type | Exhibition Review | - |
dc.subject.organisation | Creative New Zealand | - |
dcterms.spatial | Venice | - |
dc.description.notes | Analysis of New Zealand's success at the Venice Biennale | - |
dc.identifier.inmagic | 39465 | - |
dc.subject.articletype | Cutting | - |
dc.subject.artist | et al. | - |
dc.subject.artist | Tweedie, Merylyn | - |
dc.subject.artist | Biggs, Peter | - |
dc.subject.artist | Storr, Robert | - |
dc.subject.artist | Burke, Gregory | - |
dc.subject.artist | Fraser, Jacqueline | - |
dc.subject.artist | Stevenson, Michael | - |
dc.subject.artwork | Fundamental Practice [2005] Merylyn Tweedie | - |
prism.publicationname | New Zealand herald | - |
prism.pagerange | World 5 | - |
dc.subject.exhibition | Venice Biennale of Art 2005 | - |
Appears in Collections: | INZART: Inmagic collection (utf8) |
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