Please use this identifier to cite or link to this item:
https://superindex.lbr.auckland.ac.nz/handle/123456789/536239
Full metadata record
DC Field | Value | Language |
---|---|---|
dc.creator | Herrick, Linda | - |
dc.date | 25 Feb, 2006 | - |
dc.date.accessioned | 2017-06-30T03:41:06Z | - |
dc.date.available | 2017-06-30T03:41:06Z | - |
dc.identifier.uri | http://superindex.lbr.auckland.ac.nz//handle/123456789/536239 | - |
dc.description | 1 colour: Magazine cover [artist name and title not given] | - |
dc.description | 1 colour: Paolozzi | - |
dc.description | 1 colour: Lacey | - |
dc.description | 1 b/w: Whitaker | - |
dc.description | 1 colour: Self | - |
dc.description | 1 b/w: Bailey | - |
dc.description | 1 colour: Blake | - |
dc.description | 1 b/w: Morley | - |
dc.description | 1 colour: Hockney | - |
dc.description | 1 colour: Boty | - |
dc.format | physical text | - |
dc.language | English | - |
dc.publisher | INZART/The University of Auckland Library=Te Tumu Herenga | - |
dc.relation.ispartof | NZ Art Press Clippings Index | - |
dc.rights | Copyright restrictions apply | - |
dc.source | 2006_0437 | - |
dc.subject.other | Pop art | - |
dc.subject.other | English art | - |
dc.subject.other | Touring Exhibitions - International | - |
dc.title | Pop goes the easel : An exhibition imported from Tate Britain is a reminder of the times when London was the coolest city in the world. Linda Herrick revisits the swinging 60s when optimism was the rage | - |
dc.type | Exhibition Review | - |
dcterms.spatial | Auckland | - |
dcterms.spatial | London | - |
dc.identifier.inmagic | 39945 | - |
dc.subject.articletype | Cutting | - |
dc.subject.artist | Hockney, David | - |
dc.subject.artist | Self, Colin | - |
dc.subject.artist | Blake, Peter | - |
dc.subject.artist | Cooper, Michael | - |
dc.subject.artist | Hamilton, Richard | - |
dc.subject.artist | Paolozzi, Eduardo | - |
dc.subject.artist | Boty, Pauline | - |
dc.subject.artist | Riley, Bridget | - |
dc.subject.artist | Kitaj, R. B. | - |
dc.subject.artist | Mayne, Roger | - |
dc.subject.artist | Morley, Lewis | - |
dc.subject.artist | McCullin, Don | - |
dc.subject.artist | Bailey, David | - |
dc.subject.artist | Freeman, Robert | - |
dc.subject.artist | Wedgbury, David | - |
dc.subject.artist | Mankowitz, Gered | - |
dc.subject.artist | Lacey, Bruce | - |
dc.subject.artist | Medalla, David | - |
dc.subject.artist | Apple, Billy | - |
dc.subject.artist | Culbert, Bill | - |
dc.subject.artist | Watkins, Denys | - |
dc.subject.artist | Kisler, Mary | - |
dc.subject.artist | Whitaker, Robert | - |
dc.subject.artwork | I Was a Rich Man's Plaything (1947) Eduardo Paolozzi | - |
dc.subject.artwork | The Womaniser (1966) Bruce Lacey | - |
dc.subject.artwork | Guard Dog on a Missile Base No. 1 (1965) Colin Self | - |
dc.subject.artwork | George Harrison at Chiswick Park: Way Out (1966) Robert Whitaker | - |
dc.subject.artwork | Jean Shrimpton in New York: Young Ideas Go West: Twist (1962) David Bailey | - |
dc.subject.artwork | Self Portrait with Badges (1961) Peter Blake | - |
dc.subject.artwork | Christine Keeler (1963) Lewis Morley | - |
dc.subject.artwork | A Bigger Splash (1967) David Hockney | - |
dc.subject.artwork | The Only Blonde in the World (1963) Pauline Boty | - |
dcterms.spatial.venue | Auckland Art Gallery | - |
prism.publicationname | New Zealand herald | - |
prism.pagerange | 1-13 | - |
dc.subject.exhibition | Art and the 60s [2006] | - |
Appears in Collections: | INZART: Inmagic collection (utf8) |
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