Please use this identifier to cite or link to this item: https://superindex.lbr.auckland.ac.nz/handle/123456789/561775
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dc.creatorConland, Natasha-
dc.date2006-
dc.date.accessioned2017-06-30T04:27:08Z-
dc.date.available2017-06-30T04:27:08Z-
dc.identifier.urihttp://superindex.lbr.auckland.ac.nz//handle/123456789/561775-
dc.description6 col.-
dc.formatphysical text-
dc.languageEnglish-
dc.publisherINZART/The University of Auckland Library=Te Tumu Herenga-
dc.relation.ispartofNZ Art Journal Index-
dc.rightsCopyright restrictions apply-
dc.subject.otherSculpture-
dc.subject.otherAssemblage-
dc.titleAn artis's economy or the relations of Trade & Exchange. Utilis[ing] very different aesthetic means, [Madden, Sevenson and Upritchard] reconfigure aspects of now cliched New Zealand resourcefulness with the context of the global economy, both historic and contemporary-
prism.volume26-
prism.number2-
dc.identifier.inmagic62970-
dc.subject.articletypeJournal-
dc.subject.artistStevenson, Michael-
dc.subject.artistUpritchard, Francis-
dc.subject.artistMadden, Peter-
dc.subject.artworkThe invisible hand, 2004 (Stevenson) p.62-
dc.subject.artworkMonument to the only optional extra, 2005 (Stevenson) p.63-
dc.subject.artworkPakeha shrunken heads, I, II and III, 2002 (Upritchard) p.64-
dc.subject.artworkSshh, 2005 (Madden) p.66-
dc.subject.artworkThe gift, 2004 (Stevenson) p.67-
prism.publicationnameArtlink-
prism.pagerange62 - 67-
Appears in Collections:INZART: Inmagic collection (utf8)

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