Please use this identifier to cite or link to this item: https://superindex.lbr.auckland.ac.nz/handle/123456789/562373
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DC FieldValueLanguage
dc.creatorSmythe, Luke-
dc.date2006-
dc.date.accessioned2017-06-30T04:28:12Z-
dc.date.available2017-06-30T04:28:12Z-
dc.identifier.urihttp://superindex.lbr.auckland.ac.nz//handle/123456789/562373-
dc.description7 b/w-
dc.description1 portrait: Lye in his London studio-
dc.formatphysical text-
dc.format.extentfeature article-
dc.languageEnglish-
dc.publisherINZART/The University of Auckland Library=Te Tumu Herenga-
dc.relation.ispartofNZ Art Journal Index-
dc.rightsCopyright restrictions apply-
dc.subject.otherFilm and Video-
dc.titleImage and music in the direct films of Len Lye - Image-music synchronisation in Lye's direct films - colour and synaesthesia in the hand-painted films - kinaesthesis and "direct bodily empathy".-
prism.volume27-
dc.identifier.inmagic63468-
dc.subject.articletypeJournal-
dc.subject.artistLye, Len-
dc.subject.artworkA colour box, 1935 (Lye) p.4-
dc.subject.artworkStudy no. 6, 1930 (Oskar Fischinger) p.5-
dc.subject.artworkFree radicals (film strips), 1958 (Lye) p.6-
dc.subject.artworkGeorge Gershwin - 'Rhapsody in blue', part II, 1927 (Arthur Dove) p.9-
prism.publicationnameJournal of New Zealand art history-
prism.pagerange1-14-
Appears in Collections:INZART: Inmagic collection (utf8)

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