Please use this identifier to cite or link to this item: https://superindex.lbr.auckland.ac.nz/handle/123456789/569034
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DC FieldValueLanguage
dc.creatorCree, Laura Murray-
dc.date2008-
dc.date.accessioned2017-06-30T04:40:47Z-
dc.date.available2017-06-30T04:40:47Z-
dc.identifier.urihttp://superindex.lbr.auckland.ac.nz//handle/123456789/569034-
dc.description1 colour: Cotton in his studio, Artspace, Sydney, [n.d.].-
dc.description7 colour-
dc.description.abstract"The latest work by this New Zealand painter - with its references to both Maori and Pakeha identity - continues to address issues of cultural loss but with a new emphasis on the idea of transformation".-
dc.formatphysical text-
dc.format.extentfeature article-
dc.format.mediumText-
dc.format.mediumImage-
dc.languageEnglish-
dc.publisherINZART/The University of Auckland Library=Te Tumu Herenga-
dc.rightsCopyright restrictions apply-
dc.titleShane Cotton : Identity and Transformation-
prism.number4-
dc.identifier.inmagic69715-
dc.subject.articletypeJournal-
dc.subject.artistCotton, Shane-
dc.subject.artworkTe Ao Hou (1993, Shane Cotton)-
dc.subject.artworkEden to Ohaeawai (2000, Shane Cotton)-
dc.subject.artworkOutlook (Red) (2007, Shane Cotton)-
dc.subject.artworkSelection of works on paper completed during Cotton's residency at Artspace, Sydney, 2008. Painting (Blue Circle) (2008, Shane Cotton)-
dc.subject.artworkDream Number 1 (2008, Shane Cotton). Detail.-
dc.subject.artworkThe Hanging Sky (2008, Shane Cotton)-
prism.publicationnameArt world-
prism.pagerange126-131-
prism.issuenameAugust/ September-
Appears in Collections:INZART: Inmagic collection (utf8)

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