Please use this identifier to cite or link to this item: https://superindex.lbr.auckland.ac.nz/handle/123456789/570548
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DC FieldValueLanguage
dc.creatorLeonard, Robert-
dc.date2008-
dc.date.accessioned2017-06-30T04:43:33Z-
dc.date.available2017-06-30T04:43:33Z-
dc.identifier.urihttp://superindex.lbr.auckland.ac.nz//handle/123456789/570548-
dc.description5 colour-
dc.formatphysical text-
dc.format.extentfeature article-
dc.format.mediumText-
dc.format.mediumImage-
dc.languageEnglish-
dc.publisherINZART/The University of Auckland Library=Te Tumu Herenga-
dc.rightsCopyright restrictions apply-
dc.titleHello Darkness : New Zealand Gothic-
prism.volume46-
prism.number1-
dc.identifier.inmagic71033-
dc.subject.articletypeJournal-
dc.subject.artistCotton, Shane-
dc.subject.artistHammond, Bill-
dc.subject.artistTodd, Yvonne-
dc.subject.artistvan Hout, Ronnie-
dc.subject.artistAberhart, Laurence-
dc.subject.artistde Lautour, Tony-
dc.subject.artistFomison, Tony-
dc.subject.artistHipkins, Gavin-
dc.subject.artistMadden, Peter-
dc.subject.artistet al.-
dc.subject.artworkEnvy log (2005, Yvonne Todd)-
dc.subject.artworkPlay (2006, Shane Cotton)-
dc.subject.artworkGangland (1996, Bill Hammond)-
dc.subject.artworkThe living dead (1992, Ronnie van Hout)-
dc.subject.artworkMoreporks (Bird Skins Room #2), Taranaki Street, Wellington, 3 October, 1995 (1995, Laurence Aberhart)-
dc.subject.gettycolonialism-
dc.subject.localregionalism-
prism.publicationnameArt and Australia-
prism.pagerange88-95-
prism.issuenameSpring-
Appears in Collections:INZART: Inmagic collection (utf8)

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