1. University of Auckland SuperIndex 5.3
  2. INZART: Index to New Zealand Art
  3. INZART: Inmagic collection (utf8)
Please use this identifier to cite or link to this item: https://superindex.lbr.auckland.ac.nz/handle/123456789/571889
Full metadata record
DC FieldValueLanguage
dc.creatorByrt, Anthony-
dc.creatorBarton, Christina-
dc.date2004-
dc.date.accessioned2017-06-30T04:45:56Z-
dc.date.available2017-06-30T04:45:56Z-
dc.identifier.urihttp://superindex.lbr.auckland.ac.nz//handle/123456789/571889-
dc.description3 b/w-
dc.description.abstractThis interview presents a discussion of Apple's practice of re-creating works, in this case 'Four Spotlights' and 'Subtraction from the given (internal entrance), Ramp, 2003', a recreation of 'Extension of the given', Leo Castelli, 1977, and references Apple's connections to international Pop and Conceptual Art movements, together with a current rise in the recreation of historical works.-
dc.formatphysical text-
dc.format.extentfeature article-
dc.format.mediumText-
dc.format.mediumImage-
dc.languageEnglish-
dc.publisherINZART/The University of Auckland Library=Te Tumu Herenga-
dc.rightsCopyright restrictions apply-
dc.titleDisappearing Act-
dc.typeInterview-
prism.volume1-
prism.number1-
dc.identifier.inmagic72295-
dc.subject.articletypeJournal-
dc.subject.artistApple, Billy-
dc.subject.artistBates, Barry-
dc.subject.artworkSubtraction from the given (internal entrance) (2003, Billy Apple)-
dc.subject.artworkStudy for Epitaph (c.1974, Billy Apple)-
dcterms.spatial.venueRamp Gallery (Waikato Institute of Technology : Hamilton, N.Z.)-
prism.publicationnameRamp magazine-
prism.pagerange19-23-
dc.subject.exhibitionTwo New York Works [2003]-
prism.issuenameApril-
Appears in Collections:INZART: Inmagic collection (utf8)

Files in This Item:
There are no files associated with this item.
Show simple item record


Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.