1. University of Auckland SuperIndex 5.3
  2. INZART: Index to New Zealand Art
  3. INZART: Inmagic collection (utf8)
Please use this identifier to cite or link to this item: https://superindex.lbr.auckland.ac.nz/handle/123456789/572790
Full metadata record
DC FieldValueLanguage
dc.creatorReid, Graham-
dc.date6 September 2008-
dc.date.accessioned2017-06-30T04:47:37Z-
dc.date.available2017-06-30T04:47:37Z-
dc.identifier.urihttp://superindex.lbr.auckland.ac.nz//handle/123456789/572790-
dc.description1 colour-
dc.description.abstractGraham Reid considers two seminal works by little-known but important French film-maker Chris Maker.-
dc.formatphysical text-
dc.format.mediumText-
dc.format.mediumImage-
dc.languageEnglish-
dc.publisherINZART/The University of Auckland Library=Te Tumu Herenga-
dc.rightsCopyright restrictions apply-
dc.source2008_2225-
dc.titleWhen day turns to darkest night-
dc.typeExhibition Description-
dc.description.notesIllustrated artwork not titled or dated in source.-
dc.identifier.inmagic73102-
dc.subject.articletypeCutting-
dc.subject.gettyvideo art-
dcterms.spatial.venueGus Fisher Gallery (University of Auckland)-
prism.publicationnameNew Zealand herald-
prism.pagerangeB9-
dc.subject.exhibitionOwls At Noon Prelude : The Hollow Men (2008)-
Appears in Collections:INZART: Inmagic collection (utf8)

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