1. University of Auckland SuperIndex 5.3
  2. INZART: Index to New Zealand Art
  3. INZART: Inmagic collection (utf8)
Please use this identifier to cite or link to this item: https://superindex.lbr.auckland.ac.nz/handle/123456789/572887
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dc.creatorConland, Natasha-
dc.date2007-
dc.date.accessioned2017-06-30T04:47:48Z-
dc.date.available2017-06-30T04:47:48Z-
dc.identifier.urihttp://superindex.lbr.auckland.ac.nz//handle/123456789/572887-
dc.description3 b/w-
dc.description.abstractIn this article Conland discusses the recent work of David Hatcher, looking at the way in which he incorporates many ideas from Western intellectual thought as a kind of "composting process", developing a response to the question quoted in the introduction by Hatcher: "What do you do when theory and discourse have become the subject of art?".-
dc.formatphysical text-
dc.format.extentfeature article-
dc.format.mediumText-
dc.format.mediumImage-
dc.languageEnglish-
dc.publisherINZART/The University of Auckland Library=Te Tumu Herenga-
dc.rightsCopyright restrictions apply-
dc.titleThe Oedipus compost-
prism.volume36-
prism.number2-
dc.description.notesTwenty-Twenty-Twenty (2002, David Hatcher) is also discussed in text.-
dc.identifier.inmagic73200-
dc.subject.articletypeJournal-
dc.subject.artistHatcher, David-
dc.subject.artworkArt Forms That Appeal (Theodore Kaczynski) (2005, David Hatcher)-
dc.subject.artworkSemantic Bliss (2007, David Hatcher). Installation view.-
dc.subject.artworkOedipal Manoeuvres in the Dark (2004, David Hatcher). Installation view.-
dc.subject.gettyConceptual-
dc.subject.gettyinstallations (visual works)-
dcterms.spatial.venueGovett-Brewster Art Gallery (New Plymouth, N.Z.)-
prism.publicationnameBroadsheet / Contemporary Art Centre of Australia, S.A.-
prism.pagerange115-117-
dc.subject.exhibitionSemantic Bliss (2007)-
prism.issuenameJune-
Appears in Collections:INZART: Inmagic collection (utf8)

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