1. University of Auckland SuperIndex 5.3
  2. INZART: Index to New Zealand Art
  3. INZART: Inmagic collection (utf8)
Please use this identifier to cite or link to this item: https://superindex.lbr.auckland.ac.nz/handle/123456789/574007
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DC FieldValueLanguage
dc.creatorMcCulloch, Amber-
dc.date2009-
dc.date.accessioned2017-06-30T04:50:01Z-
dc.date.available2017-06-30T04:50:01Z-
dc.identifier.urihttp://superindex.lbr.auckland.ac.nz//handle/123456789/574007-
dc.description9 b/w-
dc.description.abstract"Simon Ingram seeks to question the very nature of painting, drawing on systems found in nature and contemporary computer technology. The New Zealand-based artist's practice is divided into two strands: "Automata" paintings, made by him according to a strict set of rules; and paintings made by machines which he himself constructs".-
dc.formatphysical text-
dc.format.mediumText-
dc.format.mediumImage-
dc.languageEnglish-
dc.publisherINZART/The University of Auckland Library=Te Tumu Herenga-
dc.rightsCopyright restrictions apply-
dc.titleNew work : Simon Ingram-
dc.typeInterview-
prism.number7-
dc.identifier.inmagic74232-
dc.subject.articletypeJournal-
dc.subject.artistIngram, Simon-
dc.subject.artworkDrawing Machine (2005, Simon Ingram)-
dc.subject.artworkAutomata Painting No.13 (2006, Simon Ingram)-
dc.subject.artworkUntitled 2 - 5 (all 2008, Simon Ingram)-
dc.subject.artworkDrunkard's Walk (2008, Simon Ingram)-
dc.subject.artworkPainting Assemblage No.6 (2007, Simon Ingram)-
dc.subject.gettypainting (image-making)-
dc.subject.localtechnology-
prism.publicationnameArt world-
prism.pagerange114-117-
prism.issuenameFebruary/March-
Appears in Collections:INZART: Inmagic collection (utf8)

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