Please use this identifier to cite or link to this item: https://superindex.lbr.auckland.ac.nz/handle/123456789/574842
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DC FieldValueLanguage
dc.creatorChappell, Dan-
dc.date2009-
dc.date.accessioned2017-06-30T04:51:32Z-
dc.date.available2017-06-30T04:51:32Z-
dc.identifier.urihttp://superindex.lbr.auckland.ac.nz//handle/123456789/574842-
dc.description1 colour portrait: Shonibare-
dc.description5 colour-
dc.description.abstractWithin this article on Yinka Shonibare's work Rachel Kent, curator of the exhibition, comments : "Humour and parody are central aspects of Shonibare's work, alongside political critique and a reflection on the darker aspects of human activity in the wake of European colonialism. The artist has long been interested in notions of beauty and aesthetics, as a way of drawing the viewer in - and then once they're seduced - confronting them with a more serious message".-
dc.formatphysical text-
dc.format.extentfeature article-
dc.format.mediumImage-
dc.languageEnglish-
dc.publisherINZART/The University of Auckland Library=Te Tumu Herenga-
dc.rightsCopyright restrictions apply-
dc.titleStrange new histories-
prism.volume29-
prism.number1-
dc.subject.personKent, Rachel-
dc.identifier.inmagic74975-
dc.subject.articletypeJournal-
dc.subject.artistShonibare, Yinka-
dc.subject.artworkDiary of a Victorian Dandy: 17:00 hours (1998, Yinka Shonibare)-
dc.subject.artworkThe Age of Enlightenment - Jean le Rond d'Alembert (2008, Yinka Shonibare)-
dc.subject.artworkThe Sleep of Reason Produces Monsters (Australia) (2008, Yinka Shonibare)-
dc.subject.artworkReverend on ice (2005, Yinka Shonibare)-
dc.subject.artworkDorian Gray (scene 2) (2001, Yinka Shonibare)-
dc.subject.gettyidentity-
dc.subject.gettycolonialism-
dc.subject.localhistory-
dc.subject.localhumour-
dcterms.spatial.venueAuckland Art Gallery-
prism.publicationnameArt news (Auckland, N.Z.)-
prism.pagerange72-75-
dc.subject.exhibitionYinka Shonibare MBE (2009)-
prism.issuenameAutumn-
Appears in Collections:INZART: Inmagic collection (utf8)

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