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https://superindex.lbr.auckland.ac.nz/handle/123456789/576562
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DC Field | Value | Language |
---|---|---|
dc.creator | Collard, Judith | - |
dc.creator | Lonie, Bridie | - |
dc.creator | Mears, Carl A. | - |
dc.creator | Smith, Ben | - |
dc.creator | Emmerson, Neil | - |
dc.date | 2007 | - |
dc.date.accessioned | 2017-06-30T04:54:43Z | - |
dc.date.available | 2017-06-30T04:54:43Z | - |
dc.identifier.uri | http://superindex.lbr.auckland.ac.nz//handle/123456789/576562 | - |
dc.description | 20 colour images of the exhibition (are we there yet...?) (2007, Neil Emmerson) | - |
dc.description.abstract | The following five texts respond to the same exhibition, Neil Emmerson?s (are we there yet??) installed in The Blue Oyster Art Project Space during 2007 in Dunedin. The exhibition was specifically configured for The Blue Oyster as a response to the space while using the subterranean nature of its location, the history of previous installation strategies and its particular audience and their habits to support its own agenda. Apart from the image introducing Ben Smith's text, all the images included across the five texts are from this exhibition, courtesy of the artist. | - |
dc.description.tableofcontents | Exhibition Response #1: (are we there yet...?) | - |
dc.description.tableofcontents | Exhibition Response #2: Are we there yet? | - |
dc.description.tableofcontents | Exhibition Response #3: Prints Charming and the Gobbet of Spit...Hushed Tales and Deadly Precision...Neil Emmerson at the Blue Oyster | - |
dc.description.tableofcontents | Exhibition Response #4: WHAM! BAM! | - |
dc.description.tableofcontents | Exhibition Response #5: Act Natural | - |
dc.format | physical text | - |
dc.format.medium | Text | - |
dc.format.medium | Image | - |
dc.language | English | - |
dc.publisher | INZART/The University of Auckland Library=Te Tumu Herenga | - |
dc.rights | Copyright restrictions apply | - |
dc.title | (are we there yet...?) | - |
dc.type | Exhibition Review | - |
dc.type | Article about an Artwork | - |
prism.number | 2 | - |
dc.description.notes | Judith Collard is a Senior Lecturer in Art History and Theory at the University of Otago. She studied at Melbourne University and La Trobe University in Australia, and her PhD was on Medieval Art. She teaches courses on Medieval Art, Gender Issues and Contemporary Art and has published widely in these areas in Europe, the USA and Australasia. | - |
dc.description.notes | Neil Emmerson is an Australian artist living and working in Dunedin, New Zealand. He is a Senior Lecturer and Head of the Print Studio at the School of Art, Otago Polytechnic/Te Kura Matatini ki Otago. | - |
dc.description.notes | Bridie Lonie is the Head of Otago Polytechnic School of Art in Dunedin. She is a writer and has completed a master?s project on theoretical frameworks for the art therapy encounter at the University of Otago in New Zealand. | - |
dc.description.notes | Carl A Mears hailed from New Haven, Connecticut, USA sometime in the mid-sixties. He gleaned a lot in the ambience of a great university, and from its superior art collections and libraries gained a love of culture, learning and librarians. He is a Veteran of a Foreign War, and served in a junior officers? mess somewhere, or elsewhere. Until recently peripatetic he lives now at Walden Pond. He enjoys his own micro-radio commentary on life and on the arts where he hypothesises and hyperventilates fortnightly on a local radio station. Sometimes he writes things on paper, sometimes on walls. | - |
dc.description.notes | Benjamin Smith is an artist and arts writer who completed a BFA majoring in Sculpture in 2006 at the School of Art, Otago Polytechnic. Having directed the Blue Oyster Art Project Space in Dunedin, he recently relocated to Glasgow, Scotland, where he is developing a research-based practise that explores processes of othering by dominant cultures. He also likes to climb mountains. | - |
dc.identifier.inmagic | 76512 | - |
dc.subject.articletype | Journal | - |
dc.subject.artist | Emmerson, Neil | - |
dc.subject.getty | installations (visual works) | - |
dc.subject.getty | sexuality | - |
dc.subject.getty | printmaking | - |
dc.subject.getty | prints (visual works) | - |
dc.subject.local | exhibition design | - |
dcterms.spatial.venue | Blue Oyster (Dunedin, N.Z.) | - |
prism.publicationname | Scope. Art | - |
prism.pagerange | 18-27 | - |
dc.subject.exhibition | Are We There Yet? (2007) | - |
prism.issuename | November | - |
Appears in Collections: | INZART: Inmagic collection (utf8) |
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