Please use this identifier to cite or link to this item: https://superindex.lbr.auckland.ac.nz/handle/123456789/576881
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dc.creatorWoodward, Robin-
dc.date2009-
dc.date.accessioned2017-06-30T04:55:18Z-
dc.date.available2017-06-30T04:55:18Z-
dc.identifier.urihttp://superindex.lbr.auckland.ac.nz//handle/123456789/576881-
dc.description10 colour-
dc.description.abstractThis article surveys the biennial event Sculpture on the Gulf, whose initial focus "was on art education, recognition of the role of artists as core community members, and with the objective to provide an art experience for the people of Waiheke Island... [the event] did far more, bringing 12,500 visitors to the island for its first event and by the fourth outing in 2009, visitor numbers had risen to 23,000". Sculpture on the Gulf features a wide range of New Zealand artists, who are encouraged to respond directly to the site.-
dc.formatphysical text-
dc.format.extentfeature article-
dc.format.mediumText-
dc.format.mediumImage-
dc.languageEnglish-
dc.publisherINZART/The University of Auckland Library=Te Tumu Herenga-
dc.rightsCopyright restrictions apply-
dc.titleAn engagement with place-
dc.typeExhibition Description-
prism.volume15-
prism.number2-
dc.subject.personO'Brien, Jacquelyn-
dcterms.spatialWaiheke Island-
dc.description.notesFurther artworks discussed include: Pao Pao ([n.d.], Fatu Feu'u); Glass Chapel ([n.d.], Kon Dimopoulos); Temporary Shelter ([n.d.], Tracy Adams); the Bird has Flown ([n.d.], Liz Earth); Ship of Fools ([n.d.], Fletcher Vaughan); Bung ([n.d.], Julia Oram); The Limousine Lounger ([n.d.], Phil Price); TRY2 (2007, Suza Lawrence); A Leap into the Void: Reflections of Immaterial Sensitivity (2009, Chris Hargreaves); Ringatu III (2005, Para Matchitt)-
dc.identifier.inmagic76832-
dc.subject.articletypeJournal-
dc.subject.artistKing, Virginia-
dc.subject.artistKregar, Gregor-
dc.subject.artistMoon, Nic-
dc.subject.artistGroot, Aiko-
dc.subject.artistPauling, Emily-
dc.subject.artistThomson, Jeff-
dc.subject.artistJurisich, Gaye-
dc.subject.artistO'Connor, Denis-
dc.subject.artistOrr, Bob-
dc.subject.artistMcCracken, David-
dc.subject.artistGrant, Lyonel-
dc.subject.artistLange, Peter-
dc.subject.artistMonro, Cathryn-
dc.subject.artistFeu'u, Fatu-
dc.subject.artistAdams, Tracy-
dc.subject.artistDimopoulos, Konstantin-
dc.subject.artistPrice, Phil-
dc.subject.artistOram, Julia-
dc.subject.artistVaughan, Fletcher-
dc.subject.artistEarth, Liz-
dc.subject.artistVan den Eijkel, Leon-
dc.subject.artistLawrence, Suza-
dc.subject.artistHargreaves, Chris-
dc.subject.artistMatchitt, Para-
dc.subject.artworkMatiatia Frond (2003, Virginia King)-
dc.subject.artworkMatthew 12:12 'And surely man is worth far more than a sheep' (2003, Gregor Kregar)-
dc.subject.artworkMonument (2009, Nic Moon)-
dc.subject.artworkDoor (2005, Aiko Groot)-
dc.subject.artworkSunk (2007, Emily Pauling)-
dc.subject.artworkWaiheke Show Home (2002/2003, Jeff Thomson)-
dc.subject.artworkStitch (2009, gaye Jurisich)-
dc.subject.artworkWharfinger [*wharfinger. f. messenger] (2007, Denis O'Connor and Bob Orr)-
dc.subject.artworkTe Tuahu o Kahumatamomoe (2007, Lyonel Grant)-
dc.subject.artworkWalkway to the Main Land (2005, David McCracken)-
dc.subject.gettysculpture (visual works)-
dc.subject.gettyinstallations (visual works)-
dc.subject.gettysite-specific works-
dc.subject.gettyecological art-
dc.subject.gettyenvironmental art-
dc.subject.localMāori culture-
dc.subject.localnative plants-
prism.publicationnameWorld sculpture news-
prism.pagerange42-46-
dc.subject.exhibitionSculpture on the Gulf-
dc.subject.iwiTe Arawa-
dc.subject.iwiNgāti Pikiao-
prism.issuenameSpring-
Appears in Collections:INZART: Inmagic collection (utf8)

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