Please use this identifier to cite or link to this item: https://superindex.lbr.auckland.ac.nz/handle/123456789/578112
Full metadata record
DC FieldValueLanguage
dc.creatorArchie, Carol-
dc.date1993-
dc.date.accessioned2017-06-30T04:57:36Z-
dc.date.available2017-06-30T04:57:36Z-
dc.identifier.urihttp://superindex.lbr.auckland.ac.nz//handle/123456789/578112-
dc.description1 b/w portrait: Riddell-
dc.description1 colour: Nathan, studio view-
dc.description1 colour: Timoko, studio view-
dc.description4 colour-
dc.description.abstract"More of a lurch than a movement" is how a poineer in Maori claywork describes the emerging artform. But this year Maori pottery is being assessed in a discerning international market for the first time and seems to be shaping up for appropriate recognition. The pioneer in question, Baye Riddell of Ngati Porou, puncuates his remarks with a laugh. An innovator in ceramics since he became a full time potter 18 years ago, the maori influence on his work was attracting comment long before he went home to pot in his remote tribal area at Tokomaru Bay..."-
dc.formatphysical text-
dc.format.mediumText-
dc.format.mediumImage-
dc.languageEnglish-
dc.publisherINZART/The University of Auckland Library=Te Tumu Herenga-
dc.rightsCopyright restrictions apply-
dc.titleCreating a tradition-
prism.number2-
dc.subject.organisationKaihanga Uku-
dc.description.notesIllustrated artworks not titled, or dated in source.-
dc.identifier.inmagic77998-
dc.subject.articletypeJournal-
dc.subject.artistRiddell, Baye-
dc.subject.artistTimoko, Marea-
dc.subject.artistNathan, Manos-
dc.subject.artistUrlich, Colleen-
dc.subject.gettycrafts (art genres)-
dc.subject.localMāori culture-
dc.subject.localceramics-
prism.publicationnameMana (Auckland, N.Z.)-
prism.pagerange18-21-
prism.issuenameApril/May-
Appears in Collections:INZART: Inmagic collection (utf8)

Files in This Item:
There are no files associated with this item.


Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.