1. University of Auckland SuperIndex 5.3
  2. INZART: Index to New Zealand Art
  3. INZART: Inmagic collection (utf8)
Please use this identifier to cite or link to this item: https://superindex.lbr.auckland.ac.nz/handle/123456789/578928
Full metadata record
DC FieldValueLanguage
dc.creatorLeonard, Robert-
dc.creatorMcKenzie, Stuart-
dc.date1989-
dc.date.accessioned2017-06-30T04:59:03Z-
dc.date.available2017-06-30T04:59:03Z-
dc.identifier.urihttp://superindex.lbr.auckland.ac.nz//handle/123456789/578928-
dc.description4 b/w-
dc.description.abstract"The quest for a national identity in New Zealand art and letters in the forties, fifties and sixties were invariably pursued along the contours of landscape."-
dc.formatphysical text-
dc.format.mediumText-
dc.format.mediumImage-
dc.languageEnglish-
dc.publisherINZART/The University of Auckland Library=Te Tumu Herenga-
dc.rightsCopyright restrictions apply-
dc.titlePathetic projections: willfulness in the wilderness-
dc.typeProfile-
prism.number5-
dc.subject.personCurnow, Wystan-
dc.subject.personBrown, Gordon H.-
dc.identifier.inmagic78728-
dc.subject.articletypeJournal-
dc.subject.artistMcCahon, Colin-
dc.subject.artworkTakaka night and day (1948, Colin McCahon)-
dc.subject.artworkOn building bridges (triptych) (1952, Colin McCahon)-
dc.subject.artworkFourteen stations of the cross (1966, Colin McCahon). Part of series-
dc.subject.artworkUntitled (the days and nights in the wilderness...) (1971, Colin McCahon)-
dc.subject.gettyidentity-
dc.subject.gettylandscapes (representations)-
prism.publicationnameAntic (Auckland, N.Z.)-
prism.pagerange36-48-
prism.issuenameJune-
Appears in Collections:INZART: Inmagic collection (utf8)

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